Waacking Dance

Waacking Dance ?

Waacking is a style of dance that originated in the LGBTQ+ club scene in Los Angeles during the 1970s. It was influenced by disco music and characterized by its energetic and expressive movements. The dance style is known for the rapid and precise arm movements, typically performed to the beat of the music. Waacking emphasizes strong poses, dramatic gestures, and often incorporates poses from fashion, film, and theater.

Key elements of waacking include:

1. Arm Movements: The arms are used to create fluid, sharp, and dynamic movements, often extended and rotated in rapid succession.
2. Facial Expression: Dancers frequently use facial expressions to convey emotion and attitude, adding drama to the performance.
3. Popping and Locking: While waacking is distinct from popping and locking, these elements may sometimes be integrated into the dance.
4. Music: Waacking is typically performed to disco or funk music, although it has evolved to be performed to other styles of music as well.

It gained more mainstream attention through performances in dance competitions and pop culture, and continues to be celebrated in the dance community today.

What is Waacking Dance ?

Waacking is a street dance style that originated in the 1970s in the LGBTQ+ clubs of Los Angeles, primarily among Black and Latinx communities. The dance was heavily influenced by disco music and was characterized by its expressive, dynamic arm movements, striking poses, and dramatic flair. Waacking was initially performed to disco and funk music, but over time, it has expanded to other genres.

Key characteristics of Waacking dance include:

1. Arm Movements: One of the most distinctive features of waacking is the use of fast, fluid, and exaggerated arm movements, often in rhythmic patterns. Dancers whip, roll, and lock their arms, creating sharp and precise shapes.
2. Poses and Attitude: Waacking often incorporates strong poses inspired by fashion, movies, and glamor, with dancers frequently striking poses similar to those of models or film stars. The style is known for its strong emphasis on attitude, confidence, and personality.
3. Speed and Precision: Waacking is performed with fast-paced arm movements, where dancers need to be very precise with timing and execution, often syncing their movements to the beat of the music.
4. Facial Expressions: A key part of waacking is the use of facial expressions to convey emotion, often adding a layer of storytelling and drama to the performance.
5. Freestyle: While there are certain foundational moves and techniques, waacking is a highly freestyle dance, allowing the dancer to express individuality, style, and interpretation of the music.

Waacking was initially a form of self-expression in the LGBTQ+ club scene but has since gained global recognition through performances in dance battles, competitions, and its inclusion in mainstream media, including music videos and dance shows.

Who is required Waacking Dance ?

Waacking dance can be enjoyed and practiced by anyone, but it is especially popular among people who:

1. Love Dance and Self-Expression: Waacking allows for a high level of personal expression, making it ideal for those who enjoy using dance to express emotions, creativity, and individuality.
2. Appreciate Funky, Energetic Music: Waacking is commonly performed to disco, funk, and upbeat dance music. People who enjoy this type of music and want to translate it into physical movement are often drawn to waacking.
3. Have an Interest in Street Dance Styles: Those who enjoy or practice other street dance forms like locking, popping, or hip-hop may also be interested in waacking as it shares the energy and freestyle elements common in street dance.
4. Want to Build Arm Strength and Coordination: Since waacking relies on fast and fluid arm movements, it’s an excellent style for those looking to improve their arm strength, agility, and coordination.
5. Are Drawn to Glamour and Performance: Waacking is known for its dramatic poses, facial expressions, and attitude. Dancers who enjoy performing and embodying a strong stage presence often gravitate toward this style.
6. Are Interested in Dance History or LGBTQ+ Culture: Waacking has deep roots in the LGBTQ+ club scene of the 1970s, particularly among Black and Latinx communities. People interested in dance history or the cultural aspects of LGBTQ+ communities may find waacking both fascinating and empowering.
7. Dancers in Competitions: Competitive dancers, especially those participating in street dance or battle competitions, often practice waacking to showcase their style, creativity, and technical skills in performance.

In short, waacking is for anyone who enjoys movement, music, and the freedom of self-expression—no matter age, gender, or background. It’s an inclusive dance style that welcomes all skill levels and encourages individuality.

When is required Waacking Dance ?

Waacking dance is often required or performed in the following contexts:

1. Dance Competitions: Waacking is frequently showcased in street dance battles or dance competitions, where dancers compete to demonstrate their skills, creativity, and style. It may be required in dance battles, particularly those focusing on hip-hop or street dance genres.
2. Performance Arts: In performances, especially in music videos, theater productions, or dance showcases, waacking may be required for dancers who need to bring drama, flair, and a strong visual impact to their routines. The expressive poses and energy of waacking make it ideal for stage performances.
3. Dance Classes and Workshops: If you’re learning street dance styles, waacking may be part of a curriculum in dance schools or workshops. Many dancers take classes to learn this style, often alongside other techniques like locking, popping, or hip-hop.
4. Cultural Events: Waacking has roots in the LGBTQ+ community and the disco era. As such, it may be seen at events celebrating these cultures, such as pride festivals, LGBTQ+ themed parties, or retro-themed events.

Where is required Waacking Dance ?

Waacking dance is required or commonly performed in a variety of settings, including:

1. Dance Competitions and Battles:
   • Waacking is often featured in street dance competitions or battles, where dancers from different backgrounds come together to showcase their skills. Competitions like the Waacking World Championship or events within larger street dance battles often feature waacking as a prominent dance style.
2. Dance Studios and Workshops:
   • Many dance studios around the world offer waacking classes or workshops for beginners and advanced dancers. These classes teach the fundamentals of waacking, such as arm movements, poses, and attitude.
   • Special workshops may also be held at dance festivals or conventions focused on street dance styles.
3. Theater and Performing Arts:
   • Waacking may be required in professional or amateur theater productions, musicals, or dance performances, especially those influenced by disco or funky music. Its dramatic poses and expressive moves are well-suited for performances on stage.
   • It may also be incorporated into contemporary dance pieces that emphasize character and emotion.
4. Music Videos and Pop Culture:
   • Waacking is sometimes required for dancers in music videos, particularly those that focus on disco, funk, or contemporary pop styles. Artists who want high-energy, expressive dance routines may incorporate waacking into their visual performances.
   • Some pop stars and artists like Lady Gaga, Janelle Monáe, and Ciara have incorporated waacking into their choreography in music videos and live shows.
5. LGBTQ+ Events and Pride Festivals:
   • Waacking has its origins in the LGBTQ+ club scene, so it is often performed at Pride events, LGBTQ+ celebrations, or inclusive dance parties. It may be part of performances or social dance events that celebrate LGBTQ+ culture.
6. Nightclubs and Social Dance Events:
   • Given its roots in disco and the club scene, waacking is commonly seen on dance floors, particularly in disco-themed parties, funk nights, or retro-themed clubs. It’s often performed at social dance events where people want to express themselves to upbeat, funky music.
7. Film and Television:
   • Waacking may be required for dance scenes in films or TV shows that focus on dance or music culture. In particular, shows like “So You Think You Can Dance” or other dance competitions might feature waacking as part of the choreography in certain episodes.
8. Fitness Classes:
   • Some dance-based fitness classes or programs incorporate waacking as part of their routine, helping participants build stamina, flexibility, and coordination in a fun, energetic way.

In short, waacking is required or widely performed in settings where expressive, high-energy, and dramatic dance is appreciated, such as competitions, performances, social gatherings, and even in media like TV shows and music videos.

Courtesy : ELEMENTS

How is required Waacking Dance ?

Waacking dance requires a combination of specific techniques, skills, and mindset to be executed effectively. Here’s how waacking is typically required or performed:

1. Strong Arm Movements:

• Waacking relies on fast, sharp, and fluid arm movements. Dancers need to master the ability to rapidly rotate their arms, extend them, and create dynamic, precise shapes. The arms are often moved in opposition (e.g., one arm extends while the other folds) to add visual impact.
• Practicing strength and flexibility in the arms and shoulders is key to performing these movements accurately and at speed.

2. Precision and Speed:

• Dancers need to synchronize their arm movements to the rhythm and beat of the music. Speed and timing are essential for executing the fast arm whips, rolls, and rotations characteristic of waacking.
• The movements are often performed with precision, where each arm position or pose is held momentarily before transitioning to the next, making the timing of each gesture crucial.

3. Facial Expressions:

• Waacking is about more than just arm movements; facial expressions play a significant role in conveying emotion, attitude, and drama. Dancers need to adopt strong, confident expressions to enhance the performance.
• Facial expressions like fierce looks, flirtatious stares, or exaggerated emotions complement the dance’s theatrical style.

4. Poses and Attitude:

• Waacking incorporates strong poses inspired by fashion, film, and theater, often with the body positioned in dramatic ways. Dancers need to exude confidence, attitude, and flair in each pose to fully embody the style.
• It’s important to practice posture and attitude, as waacking is not just about movement but also about owning the space with your presence.

5. Musicality and Rhythm:

• Waacking is performed to upbeat, energetic music, typically disco, funk, or similar genres. Dancers need to have a strong sense of musicality—knowing when to accentuate movements to match the beat, breakdowns, and shifts in the music.
• Good rhythm and timing are critical to make the dance visually striking and connected to the music.

6. Freestyle and Improvisation:

• Waacking allows for a lot of personal expression and improvisation. Dancers often perform to the music freestyle, adding their own style, flavor, and personality. The dance is not rigid, but requires a dancer to flow with the rhythm and let their creativity take over.
• Creativity and spontaneity are valued, so dancers need to feel comfortable expressing themselves freely within the style.

7. Confidence and Self-Expression:

• Waacking is all about confidence. It requires the dancer to be comfortable with themselves, their body, and their movements. Since the dance is rooted in self-expression, particularly from the LGBTQ+ community, the ability to be unapologetically expressive and bold is key to mastering the style.
• Attitude is not just in the face but in the body, how one occupies space, and how one interacts with the music.

8. Physical Conditioning:

• Due to its high-energy nature, waacking requires good physical conditioning, especially in the arms, shoulders, and core. Strength and flexibility training help build the necessary endurance and control to execute the moves.
• Flexibility also helps in creating more fluid arm motions and in executing poses smoothly.

In summary, waacking dance requires a combination of technical skills (like arm control, speed, and timing), creative expression (through facial expressions, poses, and improvisation), and a strong sense of attitude and confidence. Mastery comes with practice, an understanding of musicality, and the ability to embody the dance’s bold and expressive nature.

Case study Waacking Dance ?

A case study on waacking dance could be an in-depth exploration of how this dance style has evolved, its cultural impact, or its influence in specific contexts like dance competitions, fitness, or the LGBTQ+ community. Here’s an example of what a case study on waacking dance might look like:

Case Study: The Evolution and Impact of Waacking Dance

Introduction

Waacking dance, originating in the LGBTQ+ club scene in Los Angeles during the 1970s, has become a widely recognized street dance style known for its dramatic arm movements, expressive poses, and high-energy performances. This case study explores the cultural evolution of waacking, its significance within the LGBTQ+ community, its mainstream adoption, and its continued relevance in global dance competitions and social settings.

Origins of Waacking

• Cultural Roots: Waacking was created in the underground club scene in Los Angeles, particularly within the Black and Latinx LGBTQ+ communities. It emerged alongside disco music and was initially a form of self-expression, empowerment, and liberation for marginalized groups.
• Key Elements: The dance incorporates fast, precise arm movements, poses inspired by old Hollywood glamour, and strong facial expressions to reflect the dancer’s emotions and attitude.
• Early Influencers: Pioneers like Tyrone Proctor, Martha Wash, and Diana Ross (through her music videos) influenced the development of waacking, blending elements of jazz, ballet, and theater into the energetic, expressive moves.

The Rise of Waacking in Popular Culture

• Mainstream Adoption: In the late 1990s and early 2000s, waacking gained attention outside of the LGBTQ+ community as hip-hop and street dance grew in popularity. Dancers began performing waacking in battles, music videos, and dance competitions.
• Television Influence: The popularity of shows like “So You Think You Can Dance” and viral dance videos on social media platforms like YouTube helped waacking gain mainstream recognition. Dancers like Sheryl Murakami and Jazzy contributed to its resurgence in the 2000s.

Waacking in Dance Competitions

• Global Competitions: Waacking is now a staple in global dance battles and competitions. Events such as the Waacking World Championship and Red Bull BC One feature waacking as a prominent category, where dancers showcase their skills and creativity.
• Judging Criteria: In competitive waacking, dancers are judged on their musicality, technical skills, creativity, attitude, and connection to the music. The dynamic movements, sharpness of poses, and emotional expression are all important elements in scoring.

Cultural and Social Impact

• Empowerment Through Dance: For the LGBTQ+ community, waacking has long been a form of empowerment and identity, allowing individuals to express their personalities and emotions freely. It also provided a space for defiance against societal norms of gender and sexuality.
• LGBTQ+ Visibility: Waacking continues to be an important tool for visibility and self-expression within the LGBTQ+ community, often featured in Pride events and celebrations worldwide.

Waacking in Fitness and Recreational Dance

• Fitness Classes: Waacking has been adapted into dance-based fitness classes, where participants learn to perform the energetic moves to upbeat music. These classes not only promote physical fitness but also provide a creative outlet for emotional expression.
• Dance Studios and Social Dance: Dance studios worldwide offer waacking classes, and it is commonly seen in social settings like clubs, where dancers show off their skills on the dance floor. The style’s high-energy nature also makes it an appealing option for those looking to improve their stamina and coordination.

Challenges and Future of Waacking Dance

• Stereotyping and Misrepresentation: While waacking is gaining more mainstream attention, there are challenges regarding its misrepresentation or appropriation in popular media. There is a continued effort within the dance community to maintain the authenticity and cultural significance of the dance.
• Future Evolution: As waacking continues to evolve, it is blending with other contemporary dance styles, such as hip-hop and popping, creating new hybrid forms that appeal to younger generations. With the rise of social media platforms like TikTok, waacking is poised to continue growing in influence and visibility.

Conclusion

Waacking dance has transitioned from a marginalized club culture into a globally recognized and celebrated art form. Its roots in the LGBTQ+ community, emphasis on self-expression, and integration into dance competitions and mainstream media have made it a unique and powerful dance style. Waacking not only serves as a form of artistic expression but also as a means of empowerment, helping dancers assert their identities and connect to a broader cultural movement.

Couretesy : MOVE Dance Studio

White paper on Waacking Dance ?

White Paper: The Evolution, Impact, and Future of Waacking Dance

Executive Summary

Waacking dance, originating in the 1970s club scene in Los Angeles, is a powerful and expressive dance style rooted in LGBTQ+ culture. Known for its sharp arm movements, dramatic poses, and theatrical flair, waacking has evolved from an underground form of self-expression to a globally recognized dance genre. This white paper explores the history, cultural impact, current state, and future potential of waacking, highlighting its significance in dance communities, entertainment, and social change.

1. Introduction

Waacking is a street dance style that developed in the LGBTQ+ clubs of Los Angeles during the 1970s, primarily within the Black and Latinx communities. The dance is marked by fluid arm movements, expressive poses, and emotional intensity. While initially popular in underground circles, waacking has grown in prominence, becoming a mainstream dance style seen in competitions, music videos, and fitness programs worldwide. This white paper aims to provide a comprehensive understanding of waacking’s historical evolution, current applications, and future trajectory.

2. Historical Context and Origins

2.1 The Birth of Waacking

• Cultural Foundation: Waacking emerged during the rise of disco music and nightlife culture in the 1970s. It was primarily performed by LGBTQ+ people in clubs like the Martha’s Vineyard in Los Angeles, where dancers, many of whom were Black or Latinx, sought to express themselves freely.
• Influences: Waacking draws inspiration from various dance forms, including jazz, ballet, and theatrical movement. It also incorporates dramatic poses inspired by Hollywood icons like Grace Jones, Josephine Baker, and Diana Ross.

2.2 The Development of Waacking

• Waacking was not only a form of artistic expression but also a means of empowerment for marginalized communities, particularly the LGBTQ+ and Black communities. The dance allowed individuals to convey emotion, strength, and identity in an era of social and political upheaval.
• Pioneers: Notable figures like Tyrone Proctor, Sheryl Murakami, and Diana Ross influenced the shaping of waacking as a performance style. Their contributions helped establish waacking as a symbol of defiance against societal expectations and a statement of pride.

3. Characteristics of Waacking Dance

3.1 Key Elements of Waacking

• Arm Movements: The defining feature of waacking is its rapid, fluid arm movements. Dancers execute fast rotations, whips, and controlled gestures that are sharp and precise.
• Poses and Attitude: Waacking incorporates poses inspired by old Hollywood glamour, with a focus on fierce facial expressions and dramatic flair. These poses are often held to emphasize confidence, strength, and individuality.
• Musicality: Waacking is highly musical and is danced to disco, funk, and other high-energy genres. Dancers must be in sync with the rhythm, using the music’s beat to dictate the speed and sharpness of movements.
• Facial Expressions: The expressive nature of waacking includes the dancer’s face, where emotions such as sass, anger, or flirtation are often conveyed to add theatricality to the performance.

3.2 Freestyle and Improvisation

• Waacking allows for extensive improvisation. Dancers are encouraged to freestyle, incorporating their unique style and creativity while adhering to the fundamental techniques of waacking. This focus on personal expression is one of the dance’s most attractive features.

4. Waacking’s Cultural Significance

4.1 Empowerment and Self-Expression

• LGBTQ+ Culture: Waacking has long been a tool for empowerment within the LGBTQ+ community, serving as a means of identity expression and resilience. The dance allows individuals to defy gender norms and explore their personal styles, contributing to a sense of belonging.
• Cultural Representation: Waacking’s popularity grew out of the desire to see marginalized communities represented in the arts, and it continues to be a platform for visibility. It became a tool for social activism by embodying defiance against oppression.

4.2 Social and Political Context

• The 1970s were marked by social and political unrest, including the Stonewall Riots and the rise of second-wave feminism. Waacking emerged as a response to the struggle for LGBTQ+ rights and visibility, and has continued to be a symbol of resistance and pride.
• Intersectionality: Waacking uniquely highlights the intersection of race, gender, and sexuality. It emphasizes the empowerment of Black, Latinx, and LGBTQ+ individuals, and is often performed as a defiant act in both personal and public spaces.

5. Waacking in the Mainstream

5.1 Globalization and Media

• Waacking gained mainstream attention in the 1990s and early 2000s, aided by the popularity of dance-based television shows like “So You Think You Can Dance” and viral dance challenges on social media.
• The rise of platforms such as YouTube, Instagram, and TikTok has allowed waacking to reach a global audience, attracting new dancers and fans from diverse backgrounds.

5.2 Waacking in Dance Competitions

• Waacking has become a prominent category in global dance competitions like the Waacking World Championship and Red Bull BC One. These events showcase the artistry and creativity of waacking dancers, who are judged based on their technical ability, musicality, improvisation, and overall performance.

5.3 Waacking in Popular Media

• Music Videos: Waacking has been featured in the music videos of artists like Lady Gaga, Ciara, and Janelle Monáe, where its expressive and high-energy nature fits with the bold visuals of pop culture.
• Television: Shows like “America’s Best Dance Crew” and “World of Dance” have featured waacking, helping to introduce it to mainstream audiences.

Industrial applicaiton of Waacking Dance ?

Industrial Applications of Waacking Dance

Waacking, primarily recognized as a form of street dance, may not have direct industrial applications in the traditional sense. However, its influence can be observed in various sectors beyond just entertainment, arts, and culture. The principles and skills associated with waacking can be integrated into multiple industries, such as entertainment, fitness, marketing, and education. Below are some industrial applications of waacking dance:

1. Entertainment Industry

1.1 Performance Art and Live Shows

• Stage Performances and Concerts: Waacking has become a popular dance form in live performances, especially in the music industry. Its energetic and dramatic movements add flair and excitement to concerts, theater performances, and musical theater. Dancers often perform waacking in music videos and live tours for pop stars like Lady Gaga, Janelle Monáe, and Ciara.
• Television and Film: Waacking is frequently featured in dance competitions, reality shows, and commercials. TV shows such as So You Think You Can Dance and World of Dance have provided a platform for waacking dancers to showcase their skills, leading to greater visibility and integration into mainstream entertainment.

1.2 Dance Competitions and Festivals

• Waacking is a prominent category in global dance battles and competitions, including the Waacking World Championship. These events encourage creativity and skill development in dancers, and they are sponsored by media companies, dance schools, and event organizers who see value in showcasing diverse dance styles.

2. Fitness and Health Industry

2.1 Dance-Based Fitness Programs

• Waacking Fitness Classes: Fitness studios are increasingly incorporating waacking into dance-based fitness routines. This dance form combines cardiovascular exercise with flexibility, strength, and agility, making it an effective workout. Classes using waacking movements can help improve coordination, balance, and overall fitness levels.
• Dance Aerobics: Waacking’s fluid arm movements and dynamic choreography can be adapted to aerobic and high-intensity interval training (HIIT) routines, allowing fitness enthusiasts to enjoy a fun and expressive way to stay fit.

2.2 Emotional and Mental Well-Being

• Therapeutic Dance: In various wellness settings, dance therapy utilizes dance styles like waacking to promote mental and emotional healing. The expressive nature of waacking allows individuals to release stress, express emotions, and improve self-confidence.
• Stress Relief Programs: Dance-based stress relief programs in corporate wellness or healthcare environments may incorporate waacking to allow employees to engage with their emotions, decompress, and improve mental focus.

3. Marketing and Branding

3.1 Brand Activations and Campaigns

• Companies in the fashion, music, and lifestyle sectors often incorporate dance in their advertising campaigns to connect with a young, energetic demographic. Waacking’s theatrical and high-energy style can be used in brand activations to attract attention and create viral content on platforms like Instagram, TikTok, and YouTube.
• Waacking can be used in flash mobs, viral dance challenges, or as part of an influencer marketing campaign to promote products, create brand identity, and engage consumers.

3.2 Product Endorsement and Music Integration

• Waacking’s visual appeal has been harnessed in commercial promotions, music videos, and product launches. Dancers can be employed to showcase waacking during fashion shows, product demonstrations, or promotional events for the brand.
• Music Collaboration: As waacking is often performed to music, collaborations between dancers and musicians, especially in pop and hip-hop culture, can create synergistic opportunities for brand partnerships and promotional media.

4. Education and Skill Development

4.1 Dance Education

• Dance Academies: Waacking is gaining traction in dance education, where its techniques are taught as part of broader street dance curriculum. Dance studios and academies are increasingly offering classes on waacking for both beginners and advanced dancers, fostering talent and skill development.
• Workshops and Masterclasses: Industrial sectors in entertainment and fitness regularly host dance workshops, where waacking is taught as a performance skill. These sessions offer insights into personal expression, confidence-building, and performance techniques, while also enhancing flexibility and fitness.

4.2 Educational Tools for Creativity

• Creative Movement in Schools: Waacking’s expressive and artistic nature can be utilized in schools to teach students about creativity, confidence, and body movement. Dance can serve as an educational tool for self-expression, artistic development, and cultural appreciation.
• Professional Development in the Arts: Waacking can be incorporated into professional development programs for performers, actors, and musicians looking to improve their stage presence, body control, and expressiveness.

Research and development of Waacking Dance ?

Research and Development of Waacking Dance

Waacking dance, a dynamic and expressive form of street dance, has evolved over time and continues to develop in various creative, cultural, and artistic ways. The research and development of waacking encompass its history, artistic techniques, influence on modern culture, and potential future trajectories in terms of education, technology, and performance. Below is an overview of the research and development of waacking dance across several areas.

1. Historical Research and Cultural Context

1.1 Origin and Evolution of Waacking

Waacking originated in the 1970s in the LGBTQ+ clubs of Los Angeles, specifically in the underground scene where dancers would perform to disco music. Initially, it was a way for people to express themselves, often as a form of self-empowerment and cultural identity. The dance style was characterized by arm movements, poses, and an energetic style that conveyed emotion and drama.

• Key Research Topics:
  • Historical Roots: Research into the early history of waacking, focusing on the influence of disco culture and the LGBTQ+ community’s role in its creation.
  • Social Impact: Understanding how waacking contributed to self-expression and community building, especially within marginalized communities.
  • Notable Influencers: Research on influential figures like Tyrone Proctor, Jimmy L. P. Williams, and Shabba-Doo, who played key roles in shaping the dance form.

1.2 Cultural Significance

Waacking dance holds cultural importance, especially for the LGBTQ+ community, as a form of resistance, empowerment, and identity. It reflects both social and political changes of the time, particularly regarding gender expression and personal freedom.

• Cultural Research Areas:
  • Gender Expression and Identity: Investigating how waacking allows dancers to break away from traditional gender norms, with its feminine arm gestures and androgynous appeal.
  • Influence on Pop Culture: Research on how waacking has influenced mainstream dance, fashion, and media, particularly through television shows, music videos, and social media platforms.

2. Artistic Development and Choreographic Innovations

2.1 Dance Technique and Style

Research into the technical aspects of waacking involves studying its key components: fluid arm movements, dramatic poses, and fast-paced footwork. This includes the timing and precision needed to match the music’s rhythm while maintaining the dramatic flair characteristic of the dance.

• Key Areas of Study:
  • Movement Vocabulary: Exploration of the dance’s unique arm movements, spins, and poses that reflect the emotional intensity of the music.
  • Choreographic Development: Understanding how choreographers are pushing the boundaries of waacking, often integrating elements from other dance forms like hip hop, vogue, and modern dance.

2.2 Fusion with Other Dance Forms

Waacking has increasingly been incorporated into contemporary dance styles and mixed with other genres like hip-hop, jazz, and contemporary dance. This fusion allows dancers to explore new ways of moving while maintaining the core elements of waacking.

• Research Focus:
  • Fusion Choreography: Studying how waacking interacts with different styles of dance, resulting in new hybrid forms.
  • Innovation in Performance: Examining new choreographic trends that push the traditional boundaries of waacking, incorporating it into global dance culture.

3. Educational Development of Waacking Dance

3.1 Dance Schools and Institutions

With the growing popularity of waacking, numerous dance schools and academies have developed programs dedicated to teaching this style. The educational framework for waacking includes both technical training and artistic expression.

• Research Areas:
  • Curriculum Development: Developing structured learning paths for students, from beginners to advanced dancers. Research into how waacking is taught in dance schools, focusing on foundational techniques, creative expression, and performance preparation.
  • Dance Pedagogy: Understanding how educators approach the challenges of teaching a highly expressive and improvisational style like waacking.

3.2 Online Learning Platforms

Online learning has contributed to the global spread of waacking. Platforms like YouTube, Skillshare, and MasterClass offer tutorials and classes, which has helped democratize access to the dance form.

• Key Research Topics:
  • Digital Teaching Methods: Analyzing how online platforms and virtual dance lessons are changing the way waacking is taught and learned worldwide.
  • Globalization of Waacking: Studying the role of digital media in the spread of waacking to different countries and how cultural exchange through the internet shapes its development.

4. Technological Integration and Future Trends

4.1 Dance Technology

The integration of technology into dance is a growing field, with various applications in waacking that could shape its future. Innovations include motion capture, virtual reality (VR), and augmented reality (AR) to enhance both learning and performance.

• Research Directions:
  • Motion Capture and Dance Analysis: Studying how motion capture technology is used to analyze waacking movements, allowing for more precise feedback and improved training methods.
  • Virtual Reality Dance Experiences: Exploring the use of VR to create immersive dance environments where waacking dancers can train, perform, or interact in virtual spaces.

4.2 Social Media and Dance Trends

With the rise of social media platforms like TikTok, Instagram, and YouTube, waacking has experienced a resurgence in popularity. Research into how social media is shaping dance culture, creating viral trends, and influencing the evolution of waacking is an ongoing area of study.

• Future Research:
  • Viral Dance Challenges: Examining how challenges on platforms like TikTok encourage the spread of waacking and the emergence of new styles and variations.
  • Influencer Culture: Investigating the role of influencers in the promotion and development of waacking, especially in terms of global accessibility and awareness.

5. Health and Therapeutic Applications

5.1 Dance Therapy and Wellness

Waacking’s expressive nature makes it suitable for dance therapy, which can be used to enhance emotional and mental well-being. It helps individuals to express emotions, release stress, and build self-confidence. Research is being conducted into how waacking could be used as a therapeutic tool in healthcare settings.

• Key Research Areas:
  • Dance as Therapy: Exploring the potential therapeutic benefits of waacking in various psychological and physical health treatments.
  • Wellness Programs: Studying the role of waacking in community wellness programs, including corporate wellness initiatives or rehabilitation centers.

6. Social Impact and Cultural Research

6.1 Promoting Inclusivity

Waacking has a strong connection to LGBTQ+ culture and provides an outlet for gender expression and identity. Research into the role of waacking in promoting inclusivity, self-acceptance, and body positivity can highlight its social and cultural significance.

• Social Research Focus:
  • Empowerment through Dance: Analyzing how waacking empowers marginalized communities, especially within LGBTQ+ circles.
  • Gender and Sexuality Expression: Studying how waacking challenges traditional gender norms and provides a platform for personal and social identity.

6.2 Waacking in Popular Media

Waacking continues to influence popular culture, especially in music videos, films, and TV shows. Researching how waacking has been portrayed in mainstream media can help track its evolution and wider cultural acceptance.

• Research Topics:
  • Media Representation: Investigating how waacking is used in music videos and fashion campaigns to influence the global dance scene.
  • Dance in Music Videos: The role of waacking in modern music videos and how it aligns with the music’s themes, especially in pop, hip hop, and R&B genres.

Conclusion

The research and development of waacking dance encompass its historical, cultural, artistic, and educational growth. As waacking continues to evolve, it remains a dynamic force in dance, fashion, and cultural identity. The integration of new technologies, educational frameworks, and social media platforms has accelerated its development, pushing waacking from niche dance clubs into global mainstream culture. Ongoing research in these areas will continue to shape the future of waacking, ensuring its place in the broader landscape of modern dance and expression.

Courtesy : Nritya Shakti

References

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4. ^ Fogarty, Mary (2011). “Waacking, (Punking), Recycling, Schooling: Disco Dance on the Move”. Hotfoot. The Association of Dance of the African Diaspora.
5. ^ Durden, E. Moncell (2019). Beginning Hip-Hop Dance. Human Kinetics. p. 91. ISBN 978-1-4925-4445-6.
6. ^ Kumari Suraj (2016-07-03), EP 13 | WHAT IS WAACKING? | History of Punking, Whacking, Waacking 1970-2003 | PT 1 | #KUMARISWORLD, retrieved 2017-03-03
7. ^ “Waacking – What is “waacking”?”. toomuchflavour.co.uk. Retrieved 2012-12-08.
8. ^ Outrageous Waack, Ebony, August 1978, p. 64-66.
9. ^ Abraham, Neena (19 October 2016). “Waacking Ambassador and Globetrotter Kumari Suraj is Leading the Way for Dance Fusion and Education”. Brown Girl Magazine. Archived from the original on 15 December 2017.
10. ^ Zevenbergen, Tess (2012-06-01). “So You Think You Can Waack!”.
11. ^ “I am Rebecca Sugar, creator of Steven Universe, and former Adventure Time storyboarder, AMA!”. Interviewly. Retrieved 2016-08-22.
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15. ^ Jump up to:^a b “History of Street Dance”. Imperial Society of Teachers of Dancing. Retrieved 25 November 2021.
16. ^ Mansbach, Adam (24 May 2009). “The ascent of hip-hop: A historical, cultural, and aesthetic study of b-boying”. Boston.com. Retrieved 18 September 2010.
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27. ^ Schloss 2009, p. 153.
28. ^ Jump up to:^a b “Breakdancing, Present at the Creation”. NPR. October 14, 2002. Archived from the original on October 18, 2010. Retrieved September 8, 2009. ‘When you’re dealing with the b-boys and b-girls, you can take it… straight back to the Godfather of Soul,’ says DJ Afrika Bambaataa, who owns a place in the same musical lineage, as the Godfather of Hip Hop. He says that the song “Get on the Good Foot” inspired crowds to imitate the singer’s dance moves.
29. ^ Whitburn, Joel (2005). Top R&B/Hip-Hop Singles: 1942-2004. Menomonee Falls: Record Research. p. 85. ISBN 0898201608.
30. ^ Chang 2006, p. 20. “Toprockin’s structure and form fuse dance forms and influences from uprocking, tap, lindy hop, James Brown’s “good foot,” salsa, Afro-Cuban, and various African and Native American dances.”
31. ^ Schloss 2009, p. 14.
32. ^ Chang 2005, p. 138.
33. ^ Chang 2006, p. 21. “The structure was different from b-boying/b-girling since dancers in b-boy/b-girl battles took turns dancing, while uprocking was done with partners.”
34. ^ Hess, Mickey, ed. (2007). Icons of hip hop: an encyclopedia of the movement, music, and culture. Vol. 1. Westport: Greenwood Press. p. xxi. ISBN 978-0313339035. Jamaican American DJ Kool Herc creates the beak beat by isolating the most exciting instrumental break in a record and looping that section so that the break played continuously.
35. ^ Jump up to:^a b c Chang 2006, p. 19. “DJ Kool Herc, originally from Jamaica, is credited with extending these breaks by using two turntables, a mixer and two of the same records. As DJs could re-cue these beats from one turntable to the other, finally, the dancers were able to enjoy more than just a few seconds of a break! Kool Herc also coined the terms ‘b-boy’ and ‘b-girl’, which stood for ‘break boys’ and ‘break girls.’ At one of Kool Herc’s jams, he might have addressed the dancers just before playing the break beats by saying, ‘B-Boys are you ready?! B-Girls are you ready?!’ The tension started to mount and the air was thick with anticipation. The b-boys and b-girls knew this was their time to ‘go off!’.”
36. ^ Chang 2006, p. 20. “Early influences on b-boying and b-girling also included martial arts films from the 1970s.”
37. ^ Jump up to:^a b Chang 2006, p. 24.
38. ^ Jump up to:^{a b c d e f g h i j k} Garofoli, Wendy (April 1, 2008). “Urban Legend”. Dance Spirit. Archived from the original on April 20, 2010. Retrieved October 27, 2009.
39. ^ Jump up to:^{a b c d e f g h i j k l} Freeman, Santiago (September 20, 2010). “Planet Funk”. Dance Spirit. Archived from the original on November 21, 2010. Retrieved November 23, 2010.
40. ^ Jump up to:^a b c Seibert, Brian (October 26, 2004). “Breaking Down”. Village Voice. Archived from the original on February 8, 2013. Retrieved December 5, 2012. Although much hip-hop history is murky and contested, the legendary status of these men is clear. It’s the hip-hop label that’s questionable. Campbell grew up in Los Angeles. Solomon started out in Fresno, and later moved to L.A. “One thing that came out of the conferences,” says Harris, “is that the West Coast faction said they were not part of hip-hop. They got swallowed up by hip-hop”—an East Coast term and movement— “when they had never heard of it.” Their moves pre-dated hip-hop, at least in its popularized form, and they prefer the term “funk styles.” This concern with definitions and labels is partly a belated response to the international “breakdancing” fad of the early ’80s, when the mainstream media and Hollywood latched onto a variety of regional and individual styles, collapsing them into a single trend.
41. ^ Jump up to:^a b c Grob Plante, Stephie (October 25, 2016). “Dance, Dance Revolution”. Racked.com. Vox Media. Archived from the original on March 31, 2017. Retrieved April 15, 2018.
42. ^ “On hip-hop, cultural appropriation and being h-u-e-m-a-n | Medea Vox (academic podcast)”. Medea, Malmö University. December 5, 2019. Archived from the original on December 5, 2019. Retrieved December 10, 2019.
43. ^ Rivera 2003, p. 72. “With the barrage of media attention it received, even terminology started changing. ‘Breakdancing’ became the catch-all term to describe what originally had been referred to as ‘burning’, ‘going off’, ‘breaking’, ‘b-boying’, and ‘b-girling.’ Dance styles that originated in the West Coast such as popping and locking were also grouped under the term ‘breakdance.'”
44. ^ Chang 2006, pp. 18–19. “Although dance forms associate with hip-hop did develop in New York City, half of them (that is, popping and locking) were created on the West Coast as part of a different cultural movement. Much of the media coverage in the 1980s grouped these dance forms together with New York’s native dance forms (b-boying/b-girling and uprocking) labeling them all “breakdancing”. As a result, the West Coast “funk” culture and movement were overlooked…”
45. ^ Pagett 2008, p. 48.
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47. ^ Pagett 2008, p. 33.
48. ^ Kugelberg 2007, p. 17.
49. ^ Brown, Lauren (February 18, 2009). “Hip to the Game – Dance World vs. Music Industry, The Battle for Hip Hop’s Legacy”. Movmnt. Archived from the original on April 3, 2010. Retrieved July 30, 2009.
50. ^ Chang 2005, p. 90.
51. ^ Schloss 2009, p. 37.
52. ^ Tony Cox (September 20, 2006). “Born in the Bronx: Mambo and Hip-Hop”. News & Notes (Podcast). NPR. Archived from the original on July 22, 2011. Retrieved November 23, 2010. Well, [Blacks and Puerto Ricans] lived, you know, they lived side-by-side. You know, previous to this there had been a gang era and people didn’t get around so much because it was dangerous. You know, the kids didn’t travel outside of their neighborhood so much. But largely thanks to people like Kool Herc and Afrika Bambaataa, who started holding jams and inviting people from all over and trying to establish peace in the communities, people began to come together… The earliest and first B-boys were black. When Latinos started breaking they were emulating what they saw, you know, the black people doing.
53. ^ Jump up to:^a b Schloss 2009, p. 16.
54. ^ Rivera 2003, p. 75. “…Puerto Ricans had been and were still key in the development of the b-boy/b-girl dance styles; most of the better known breaking crews (Rock Steady Crew, the Furious Rockers, Dynamic Rockers, New York City Breakers) were primarily Puerto Rican.”
55. ^ Cook, Dave. “Crazy Legs Speaks”. DaveyD.com. Archived from the original on March 6, 2010. Retrieved September 6, 2009.
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57. ^ Jump up to:^a b DJ Hooch 2011, p. 20.
58. ^ Chang 2006, p. 20. “The transition between top and floor rockin’ was also important and became known as the ‘drop.'”
59. ^ DJ Hooch 2011, p. 27.
60. ^ Weisbard, Eric, ed. (October 2007). That’s the Joint!: The Hip-Hop Studies Reader. Durham: Duke University Press Books. p. 259. ISBN 978-0822340416. Uprockers or “Rockers” battle throughout the duration of a complete song—from beginning to the end while in a line formation called the “Apache Line”. The Apache Line allows two opposing dancers or Crews (dance groups) to face each other and execute their Burn gestures towards one another.
61. ^ Chang 2006, p. 21. “There were also the ‘Apache Lines’ where one crew stood in a line facing the opposing crew and challenged each other simultaneously.”
62. ^ Guzman-Sanchez 2012, p. 129. “The Apache Line was basically two opposing lineups of dancers standing face-to-face doing the step toward each other. This simple shuffle step was done in a repeated manner.
63. ^ Guzman-Sanchez 2012, p. 138. “Even the Burns (thrusting motion to disrespect your opponent) and Jerks (dropping down) terminology became synonymous with B-Boy slang.
64. ^ Guzman-Sanchez 2012, pp. 33–35.
65. ^ Jump up to:^a b Guzman-Sanchez 2012, p. 41.
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70. ^ Chang 2006, p. 23. “Dancers in Los Angeles also distorted the name by calling it “pop-locking”, while in France it was called “The Smurf”.
71. ^ Jump up to:^a b c Chang 2006, p. 23. “Sam’s creation, popping, also became known as the unauthorized umbrella title to various forms within the dance. past and present. Some of these forms include Boogaloo, strut, dime stop, wave, tick, twisto-flex, and slides.”
72. ^ Jump up to:^a b c Zamora, Jim (March 10, 2007). “Architeckz look to build outlet for Oakland youth / Dance troupe channels emotions through ‘turf dancing,’ a younger sibling of 1980s break dancing”. SFGate. Archived from the original on August 15, 2017. Retrieved April 16, 2018.
73. ^ Croft, Clare (April 10, 2005). “Hip-Hop’s Dynamic New Stage”. The Washington Post. Archived from the original on December 6, 2017. Retrieved October 11, 2009.
74. ^ Hunt, Darnell; Ramon, Ana-Christina, eds. (2010). Black Los Angeles: American Dreams and Racial Realities. New York City: NYU Press. p. 121. ISBN 978-0814737347.
75. ^ Hubela, Geo (July 1, 2012). “2 Tips for Hip-Hop Teachers – Tutting and Toning”. Dance Studio Life. Archived from the original on April 8, 2013. Retrieved February 7, 2013.
76. ^ Jump up to:^a b Davis, Chris (June 2013). “Jookin – Is it the New Ballet?”. Memphis Magazine. Archived from the original on September 6, 2015. Retrieved February 8, 2014.
77. ^ Macaulay, Alastair (April 3, 2013). “Hip-Hop Meets Ballet in One Man’s Body”. The New York Times. Archived from the original on December 20, 2013. Retrieved February 9, 2014.
78. ^ Jump up to:^a b Harss, Marina (August 2014). “Mesmerizing Moves”. Dance. Archived from the original on October 2, 2013. Retrieved September 28, 2013. Jookin’ is an integral part of the African-American culture of the city. Developed in Memphis in the 1980s, jookin’—and other related forms like the gangsta walk, buckin’, and choppin’—is a localized derivation of hip-hop dance. Memphis hip-hop has a particular sound, with rat-a-tat-rhythms, and a bit of a soul-funk lilt. “A little southern-ness and a basement-like quality, a homemade feel,” is how [Charles “Lil Buck” Riley] describes it. The dance originated as a kind of walking step with a strong rhythmic bounce punctuated by staccato lifting of the knees, like walking on hot coals. As it evolved, the gliding footwork was added, as well as the popping and waving, and, finally, the icing on the cake: Dancers started using the tips of their sneakers to balance on pointe.
79. ^ Macaulay, Alastair (November 2, 2012). “On Point, in Their Jeans and Sneakers”. The New York Times. Archived from the original on January 4, 2014. Retrieved February 7, 2014.
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91. ^ Jump up to:^a b Durden, Moncell (Director) (2009). History and Concept of Hip-Hop Dance (DVD). DLex Productions/Dancetime Publications. Event occurs at 31:44. The reason the term new style came about was because of a documentary in 1992 called Wreckin’ Shop that heavily influenced dancers in Japan and in France. Amazingly enough these two groups of dancers from two different countries began to shorten this term and say ‘we want to dance like the New York dancers… we’re going to do the New Style, meaning New York Style—dancing like the kids dance in New York. And that’s where that came from.
92. ^ Werbrouck, Debbie (December 8, 2010). “From Fad to Foundation”. Dance Studio Life. Archived from the original on December 14, 2013. Retrieved January 13, 2012.
93. ^ Wisner, Heather (October 2007). “Crash Course: Hip Hop”. Dance. 81 (10): 82–85. ISSN 0011-6009. Despite their differences, the styles are connected by the music, plus a low-slung center of gravity that comes from African dance roots, and some shared basic steps. Many steps don’t have specific names; in class, teachers might speak generally of jumps and turns or use imagery to evoke how a step-should look. Hip hop training relies less on specific exercises than on strength training, flexibility, and learning to isolate and move body parts independently from the rest of the body… A good way to approach freestyling, Sparks says, is to pick out a single element in the music—the horns, a snare drum—and use that as a movement guide… Focusing on the music helps you know what accents to hit.
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95. ^ Jordan, Stephanie; Allen, Dave (1993). Parallel Lines: Media Representations of Dance. London: John Libbey Publishing. p. 68. ISBN 9780861963713. Through her choice of Anthony Thomas, a black American street dancer, as her choreographer, Janet Jackson secures a threefold achievement: she satisfies the dictates of commercial pop music industry by creating a dance image which is significantly different from her earlier work; she demonstrates that, despite fame, she is still in touch with contemporary youth pop culture and its fashions; and finally, she utilizes, not the dance traditions of the Hollywood musical which, although often black in inspiration, remained very much under the control of white choreographers, but the work of a black young man whose training is outside the institutions of Western theatre and clearly an Afro-American cultural expression of the late 1980s.
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125. ^ Guzman-Sanchez 2012, p. 120.
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127. ^ Jump up to:^a b Austen, Jake (2005). TV-a-go-go: Rock on TV from American Bandstand to American Idol. Chicago: Chicago Review Press. p. 101. ISBN 1556525729. …as a rule, the dancers (known as the Soul Train Gang) were the stars and the reason Soul Train had no competition. The dancers auditioned at an open call in 1971, and since then the producers have maintained a strong lineup of dancers via a referral system. ‘We’ve found over the years that kids who dance really well and groom themselves really well and have a sense of style and behave well know other kids who can do the same thing,’ Cornelius explained on his 1996 twenty-fifth anniversary TV special.
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