
“Tamasha” can refer to different things, depending on the context:
- In Hindi/Urdu:
The word “Tamasha” (तमाशा/تماشا) means a spectacle, performance, or show, usually with a sense of something exaggerated or dramatic. It can refer to a live performance or an event meant to entertain. Sometimes, it also carries a negative connotation, implying something foolish, chaotic, or a public spectacle. - In Popular Culture (Film): Tamasha is also the title of a 2015 Bollywood film directed by Imtiaz Ali, starring Ranbir Kapoor and Deepika Padukone. The film explores themes of identity, self-discovery, and the pressures of societal expectations. It portrays a man who is caught between the life he is expected to live and the life he truly wants. The film’s narrative emphasizes the idea of living authentically and finding one’s own path rather than following the roles prescribed by society.
Would you like more details on any specific usage of the term?
What is Tamasha ?
“Tamasha” is a term with multiple meanings, and its significance depends on the context:
- In General Usage (Hindi/Urdu):
“Tamasha” (तमाशा/تماشا) translates to a “spectacle” or “performance.” It refers to an event or show, often one that is extravagant, dramatic, or attention-grabbing. In a more negative sense, it can imply a chaotic or foolish spectacle, something that is more for public amusement than for meaningful purpose. It could be used to describe an event that is overly dramatic or absurd. - In Bollywood (Film):
Tamasha is the title of a 2015 Bollywood film directed by Imtiaz Ali. The movie, starring Ranbir Kapoor and Deepika Padukone, revolves around a man named Ved who struggles with living up to societal expectations and, at the same time, yearning to live a life of authenticity and creativity. The film’s central theme explores the conflict between following societal norms and pursuing personal passion and self-identity. The title Tamasha here is symbolic of the internal conflict of the protagonist, who feels as if he is just playing a role in the “show” of life, rather than being his true self.
In both contexts, Tamasha often refers to an external performance or show, but it can also have deeper meanings about personal identity and societal roles, as shown in the film.
Would you like more information on the film or another aspect of “Tamasha”?
Who is required Tamasha ?
The phrase “who is required Tamasha?” is a bit unclear, but it seems like you may be asking about who needs or who is part of a Tamasha in a broader sense, possibly in reference to the film, its themes, or in a general cultural context.
Here are a few interpretations:
1. In the Film Tamasha (2015):
In the context of the film, the question can be interpreted as asking who is affected by or involved in the “Tamasha”—the spectacle of life, identity, and self-expression.
- Ved (played by Ranbir Kapoor): He is the central character who feels trapped in a “Tamasha” or spectacle of life. Throughout the film, he plays roles that others expect of him, while his true passions and desires are buried under societal pressures. The character of Ved, who is required to live a life of conventionality and meet external expectations, faces the dilemma of feeling like he is just playing a part in a larger “Tamasha” of life.
- Tara (played by Deepika Padukone): She is another key character who plays a role in the film’s narrative. Tara, too, questions societal expectations but also seeks authenticity. She is part of Ved’s journey to self-discovery and helps him break free from the “Tamasha” of societal norms.
2. Cultural Context (General Usage):
In a broader cultural or social context, “Tamasha” can refer to any spectacle or drama, often used in a somewhat critical or sarcastic sense. It suggests that certain individuals or groups are required to participate in or be part of an event or situation that is exaggerated or artificial.
For example:
- Politicians or Public Figures: In some situations, public figures may be seen as part of a “Tamasha,” meaning they might be playing roles or engaging in events that are intended more for spectacle than genuine action.
- Social Expectations: People in society may feel pressured to conform to expectations, playing their roles in a “Tamasha” of life, fulfilling what is expected of them rather than pursuing their own passions or true desires.
3. In a Critical Sense:
If you’re asking who is “required” to perform in a Tamasha in a more negative or critical way, it could be referring to situations where people are forced into playing roles or taking part in actions that are superficial, performative, or exaggerated for the sake of appearances, without any genuine substance. In such cases, it could apply to anyone in society who feels they must conform to norms or expectations at the cost of their own authenticity.
If this answer doesn’t fully address your question or if you meant something else by “who is required Tamasha,” feel free to clarify!
When is required Tamasha ?
The question “When is required Tamasha?” seems to be asking when a “Tamasha” (a spectacle, drama, or performance) is needed or when it occurs, either in a general or specific sense. Here are some interpretations based on different contexts:
1. In the Context of the Film Tamasha (2015):
In the film, the “Tamasha” (spectacle or performance) represents the struggle between personal identity and societal expectations. The “Tamasha” is required when a person feels compelled to play a role or conform to societal norms, even if that role doesn’t align with their true self.
- For Ved (Ranbir Kapoor): The “Tamasha” is required at key points in his life when he feels he must follow a prescribed path, like studying engineering, working in a corporate job, and living the life others expect of him. He suppresses his creative and passionate side, living a life of external performance (a “Tamasha”).
- For Tara (Deepika Padukone): The “Tamasha” is required when Tara, too, adheres to certain norms and roles that she feels are expected of her, even if she has her own dreams and desires.
The film suggests that a “Tamasha” is required when people are not living authentically, when they are living according to the roles society expects them to play, rather than pursuing their true desires or passions. It’s about the inner conflict between self-expression and societal pressure.
2. In a Cultural or Social Context:
In a broader sense, “Tamasha” is a spectacle or a dramatic performance, and it can be “required” in certain situations:
- Entertainment and Performances: Tamasha is required when there is a need for entertainment or public performances. For example, in traditional Indian theater or street performances, a “Tamasha” might be organized for people to enjoy, either for cultural, religious, or celebratory purposes.
- To Grab Attention or Make a Statement: In some cases, a “Tamasha” might be required when someone wants to make a big statement, create awareness, or grab public attention. This could apply to political rallies, protests, or events where the spectacle serves a larger purpose.
- When Things Get Overly Dramatic: A “Tamasha” can also refer to situations where there is unnecessary drama, exaggeration, or chaos, such as in politics or media, when things are blown out of proportion for public consumption.
3. In a More Philosophical Sense:
On a deeper level, “Tamasha” could be “required” when a person is disconnected from their true self and is living a life based on expectations, appearances, or outside pressures. The “Tamasha” is needed for self-discovery—it is the process of realizing that one must break free from the drama of external expectations and live authentically.
4. When Is “Tamasha” a Metaphor for Life?
In some situations, “Tamasha” can refer to the idea that life itself is a performance or spectacle. It’s required when people are caught in the act of living up to others’ expectations, playing the roles that society has designed for them, without questioning or breaking free. It’s a call for people to stop pretending or acting out a role they do not identify with.
In summary, “Tamasha” is required when external performances or societal pressures take precedence over living authentically. It can also refer to times when dramatic, exaggerated actions or spectacles are necessary to make a point, entertain, or create awareness. Would you like to dive deeper into any of these interpretations?
Courtesy : Ganga Cassette
Where is required Tamasha ?
The question “Where is required Tamasha?” can be interpreted in several ways depending on the context. Below are a few possible interpretations:
1. In the Context of the Film Tamasha (2015):
In the film, “Tamasha” is a metaphor for the conflict between personal identity and societal expectations. The “Tamasha” (spectacle) is required wherever there is a disconnect between who people truly are and the roles they are forced to play.
- In everyday life: People may be living a “Tamasha” in places like work environments, families, or social circles, where they feel compelled to act according to expectations instead of being true to themselves.
- In specific locations like corporate offices or educational institutions: Characters like Ved are forced to perform a role in these environments, fitting into a life they do not want, which creates a sense of personal conflict. These places can be seen as settings where the “Tamasha” is required for social conformity.
2. In a Cultural Context (Public Spectacles):
“Tamasha” is often used to describe public events or performances, and is required in situations where there is a need to entertain, make a statement, or draw attention.
- Festivals or cultural events: A “Tamasha” might be required at festivals, celebrations, or cultural gatherings, where performances, dramatic expressions, and large gatherings are meant to entertain people.
- Street performances: Traditional Indian street theater or performances, like those in rural settings, often involve “Tamasha” as a form of public entertainment, where actors perform exaggerated stories for the crowd.
3. In Political or Social Settings:
- Protests or political rallies: “Tamasha” may be required in situations where public attention is needed, and dramatic or exaggerated actions are used to make a statement. In this sense, a “Tamasha” can refer to the spectacle of political campaigns, protests, or media events where the focus is on creating an impact through dramatic actions.
- In media or the entertainment industry: Often in the media or reality television, a “Tamasha” is required to keep the audience engaged and to create drama for ratings or public attention. This can be seen in sensationalized news, talk shows, or reality TV.
4. In Social or Interpersonal Situations:
- In social gatherings or family events: Sometimes, a “Tamasha” is required when there is a need to put on a facade or impress others. This could be at weddings, parties, or family reunions, where people act according to what is expected of them, sometimes exaggerating their behavior to fit in.
- In competitive or performance-based settings: In competitive environments, such as sports or reality shows, a “Tamasha” may be created to entertain or keep the audience engaged, emphasizing showmanship and drama over the actual content.
5. Metaphorically – In Life Itself:
In a more philosophical sense, “Tamasha” may be required wherever life itself feels like a performance—such as in places where people wear masks or act a certain way due to societal pressures. This could be in social interactions, workplaces, or even within oneself when individuals are not being authentic.
Summary:
“Tamasha” is required in situations where exaggeration, performance, or drama is needed to either entertain, communicate a message, or meet societal expectations. It could be required in social, cultural, political, or personal contexts, wherever there is a disconnect between one’s authentic self and the role they feel pressured to play.
If you’re asking about a specific place or event where a “Tamasha” is required, please clarify, and I can provide more focused information!
How is required Tamasha ?
The phrase “How is required Tamasha?” seems to be asking about how or in what way a “Tamasha” (a spectacle, performance, or drama) is “required” or manifested in a given context. Here are a few possible interpretations based on different perspectives:
1. In the Context of the Film Tamasha (2015):
In the film, “Tamasha” refers to the spectacle of life that people are often compelled to put on, where they play roles in accordance with societal expectations, rather than following their true desires.
- How is “Tamasha” required? In this case, “Tamasha” is required when characters like Ved (played by Ranbir Kapoor) feel trapped in performing a role they do not want to play. The “Tamasha” is required when societal pressures force individuals to conform to predefined paths, like working a regular job or following family traditions, even if it goes against their true passions. It’s required as a means of survival or fitting into society, even if it comes at the cost of personal fulfillment.
2. In Cultural Performances or Public Spectacles:
- How is “Tamasha” required? In a traditional cultural sense, “Tamasha” is required in situations where entertainment, drama, or public performance is needed. This might include:
- Stage Performances: In Indian culture, the term “Tamasha” is often associated with dramatic stage performances, like folk theater or dance dramas. These performances are required to engage an audience, tell a story, or entertain. They are staged in theaters, village squares, or during festivals.
- Street Performances: Sometimes, Tamasha is required in the form of spontaneous street performances, where performers might engage the public through dramatic acting, dancing, or storytelling.
- Festivals or Religious Events: During festivals like Diwali or Holi, dramatic performances or theatrical plays (often exaggerating moral lessons) may be part of the celebration, embodying the essence of “Tamasha” to engage the crowd.
3. In Political or Social Situations:
- How is “Tamasha” required? In political or social settings, “Tamasha” can refer to the dramatic, often exaggerated performances put on for public attention.
- Political Campaigns/Rallies: “Tamasha” may be required in the form of spectacles or large, dramatic political events designed to catch the public’s eye and garner support.
- Protests or Social Movements: Sometimes, “Tamasha” is used as a metaphor for public protests or activism where dramatic actions or confrontations are necessary to raise awareness or attract attention to an issue. These spectacles are “required” to shake up the status quo and create a moment of impact.
4. In Social or Interpersonal Interactions:
- How is “Tamasha” required? On a personal level, “Tamasha” might be required in situations where people feel the need to act or behave in a certain way to fit in with social expectations, even if it feels inauthentic. This could include:
- Family Gatherings or Social Events: People sometimes engage in dramatic or exaggerated behavior to impress family members, colleagues, or friends—perhaps by showing off accomplishments or pretending to be someone they are not.
- Public Behavior: Social norms can compel individuals to “put on a show” in public, whether it’s in terms of fashion, behavior, or speech, in order to be accepted or seen in a positive light by others.
5. In a Broader Metaphorical Sense (Life Itself as a Performance):
- How is “Tamasha” required? In a philosophical or metaphorical sense, “Tamasha” is required when life itself feels like a performance. People sometimes feel as though they are actors in a grand show, playing parts that society expects them to. This can be:
- In work environments: People might perform a “Tamasha” by adhering to corporate expectations, playing roles in the office to get ahead, even if it doesn’t align with their true desires or values.
- In relationships: People might behave in exaggerated or insincere ways to maintain social harmony or to please others, even if it’s not their true self.
- In personal identity: The “Tamasha” is required when individuals suppress their true passions and desires and instead play roles dictated by society—such as the role of a successful professional, a dutiful parent, or a popular friend.
Summary:
“Tamasha” is required when there is a need for dramatic action, entertainment, or public spectacle. It can be required in artistic performances to entertain or engage, in political or social events to make a statement, or in everyday life when societal pressures force individuals to conform to roles or behave in ways that do not reflect their true self. It’s often about the performance of a role for the sake of fitting into or impressing others.
If you’re asking about a more specific scenario or event where “Tamasha” is required, feel free to clarify, and I can give you a more focused explanation!
Case study is Tamasha ?
The term “case study” typically refers to a detailed analysis of a particular instance, event, individual, or phenomenon to explore its causes, effects, and broader implications. A case study involves in-depth research and evaluation, often in fields like business, medicine, social sciences, or education.
On the other hand, “Tamasha” (as we’ve discussed) refers to a spectacle, performance, or dramatic event, often implying a sense of drama or exaggeration.
So, in a traditional sense, a case study is not typically considered a “Tamasha,” but there are contexts where the concept of a case study and “Tamasha” might overlap, particularly when the situation being studied involves spectacle, drama, or the performance of societal roles.
Could “Tamasha” be used as a Case Study?
Yes, a case study can focus on a situation or phenomenon that involves a “Tamasha” — in the sense of a dramatic spectacle, conflict, or the performance of roles. For example:
- Social or Political Spectacles:
- A case study could be conducted on a political rally, protest, or public event that is exaggerated or dramatized to attract attention, potentially making it a “Tamasha.”
- In this case, the “Tamasha” becomes a subject of study, analyzing how the event was constructed, the motivations behind it, its impact on public perception, and the role it plays in shaping societal or political discourse.
- Media and Reality Shows:
- The phenomenon of reality television could be examined as a case study in which the participants engage in behaviors designed to create a “Tamasha” for the audience. Researchers might study how the dramatization of personal lives and exaggerated conflicts shape public opinion and consumer behavior.
- For example, a case study on a reality show like Bigg Boss or The Bachelor could analyze how “Tamasha” (the dramatic tension, conflicts, and performances) is created and why it captivates viewers.
- Workplace Drama:
- A case study might explore a corporate environment where employees feel compelled to perform a “Tamasha,” playing roles to meet expectations and gain approval from superiors or colleagues, even if it leads to personal dissatisfaction or conflict. This could examine the pressures of office politics and the performance of identity in professional spaces.
- Film or Literature Studies:
- A film like Tamasha itself could be the subject of a case study, where the focus would be on how societal pressures and identity conflict create a “Tamasha” in the protagonist’s life. The case study would analyze how the film portrays the tension between societal roles and authentic self-expression, and how this “Tamasha” impacts the character’s journey toward self-discovery.
Example of a Case Study as “Tamasha”:
- Case Study Topic: “The Role of Media in Shaping Public Opinion Through ‘Tamasha’ in Political Campaigns.”
- Context: A political campaign where media plays a key role in shaping perceptions through dramatic speeches, exaggerated statements, and sensationalized coverage.
- Analysis: The study could examine how media coverage turns the election into a “Tamasha,” focusing on the spectacle rather than substantive political issues. The researchers would analyze the methods of sensationalization and their effect on voter behavior and public opinion.
Conclusion:
A case study is not inherently a “Tamasha,” but in some situations, the subject of the case study could involve a “Tamasha” — particularly when the situation is dramatic, exaggerated, or designed to attract attention. A “Tamasha” could be an event, behavior, or situation that forms the subject of a case study, particularly in fields like social sciences, media studies, or politics.
If you were referring to something specific, like a case study based on the movie Tamasha or a dramatic real-life example, please feel free to clarify, and I can dive deeper into it!
White paper on Tamasha ?
A white paper is an authoritative, detailed report or guide that addresses a specific issue, provides research findings, and proposes solutions or recommendations. It is often used in business, government, and academia to present insights on a topic, supported by data and analysis.
When discussing a white paper on “Tamasha”, it could explore the concept in various contexts, depending on what aspect you’re focusing on. Here are a few potential directions for a white paper on “Tamasha”:
1. White Paper on Tamasha in Popular Culture (Film Analysis)
A white paper could focus on the 2015 Bollywood film Tamasha, directed by Imtiaz Ali, and analyze the film’s themes, its cultural impact, and its reflections on societal expectations and individual identity.
Structure:
- Introduction:
- Overview of Tamasha as a film and its central themes (identity, societal pressures, and self-discovery).
- Brief background on the film’s release and reception.
- Thematic Analysis:
- Identity Crisis: Discuss how the protagonist, Ved (played by Ranbir Kapoor), faces an internal conflict between living a life of societal expectations and pursuing his true passions.
- The Role of Societal Expectations: How societal norms shape individual behaviors and contribute to the “Tamasha” (spectacle) in everyday life.
- Self-Discovery: Analyze how the film portrays the journey of self-realization and the importance of embracing one’s true self.
- Cultural Impact:
- The film’s relevance to contemporary social issues such as career pressures, parental expectations, and mental health.
- Impact on Indian audiences and global recognition of the film’s message.
- Conclusions and Recommendations:
- The role of cinema in addressing societal challenges.
- The importance of cultural introspection through films like Tamasha to promote authenticity and self-expression.
2. White Paper on “Tamasha” as a Concept in Society (Theatrical and Social Spectacles)
A white paper could also explore the broader concept of “Tamasha” as a societal phenomenon—focusing on how spectacles, exaggerated performances, and dramatic events are used in various aspects of society.
Structure:
- Introduction:
- Define “Tamasha” in its cultural and social context (a spectacle, drama, or performance).
- Overview of how the term has evolved from traditional performances to its modern interpretation as a metaphor for societal drama.
- The Role of “Tamasha” in Social Life:
- Public Spectacles: Analyze how modern society creates and consumes “Tamasha” through media, politics, and entertainment.
- Social Media and “Tamasha”: Explore how social media platforms amplify the need for attention-seeking behavior, drama, and exaggeration in everyday life.
- Political “Tamasha”: Examine how political figures and movements often engage in dramatic performances to captivate public attention and sway opinions.
- The Impact of “Tamasha” on Society:
- The positive and negative impacts of engaging in or witnessing “Tamasha” in the public sphere (e.g., entertainment, political campaigns, social media).
- Psychological effects of constant exposure to sensationalized content.
- Social fragmentation or unity through collective engagement in dramatic events.
- Conclusions and Recommendations:
- The balance between genuine self-expression and artificial spectacle in social life.
- Encouraging authenticity in media and politics.
- The role of education in helping people navigate societal pressures and reduce the impact of unnecessary “Tamasha.”
3. White Paper on “Tamasha” as a Reflection of Modern Life and Identity
This white paper could take a sociological or psychological approach to examine how “Tamasha” serves as a metaphor for the pressure to conform to societal roles, and how it affects modern identity formation.
Structure:
- Introduction:
- Define “Tamasha” and its modern usage.
- Brief overview of societal pressures on identity and how people perform roles in daily life.
- Psychological and Sociological Perspectives:
- Identity and the Performance of Roles: Discuss how individuals often feel compelled to “perform” roles based on societal expectations (e.g., career, relationships, social status).
- The Role of Media and Technology: How modern technology (social media, reality TV, etc.) contributes to the performance of identity and creates a “Tamasha.”
- Mental Health: Explore the mental health implications of constantly living in a “Tamasha” (stress, anxiety, and the pressure to conform).
- Impact of “Tamasha” on Personal and Social Relationships:
- How the pressure to conform affects relationships with family, friends, and colleagues.
- Case studies or real-world examples of individuals who have navigated or been affected by the need to “perform” in life.
- Conclusions and Recommendations:
- The importance of developing personal authenticity in a world full of performance.
- Encouraging society to embrace individuality and reduce the pressure to conform.
- Suggestions for future research on identity and the impact of societal performance.
4. White Paper on “Tamasha” in Traditional Indian Folk Theater
If you want to focus on the traditional meaning of “Tamasha” in the context of Indian folk theater, a white paper could analyze its historical significance, its role in entertainment, and how it reflects social and cultural narratives.
Structure:
- Introduction:
- History and origins of “Tamasha” as a folk performance in India, particularly in Maharashtra and Gujarat.
- The cultural significance of “Tamasha” as a means of social commentary and entertainment.
- Characteristics of Traditional Tamasha:
- Types of performances: dramatic storytelling, music, dance, and satire.
- Social messages conveyed through these performances.
- Audience interaction and the role of Tamasha in creating communal experiences.
- Evolution and Modern Relevance:
- How “Tamasha” has evolved from traditional theater to modern-day entertainment formats.
- The influence of “Tamasha” on contemporary Indian cinema, music, and television.
- Conclusions and Recommendations:
- Preserving traditional art forms while incorporating modern elements.
- The role of “Tamasha” in fostering social awareness and promoting cultural heritage.
Conclusion:
A white paper on Tamasha can approach the concept from various angles: cultural (film or theater), social (spectacles in modern society), or even psychological (the pressure of societal roles). Depending on the intended focus, the paper would analyze the significance of “Tamasha” in shaping behavior, entertainment, or public discourse, and offer insights or solutions based on its findings.
Would you like me to help structure a white paper on a specific aspect of “Tamasha” or focus on one of the suggestions above?
Industrial application of Tamasha ?
The industrial application of “Tamasha” is an interesting concept, as it brings the idea of “spectacle,” “performance,” or “drama” into the context of industries, business practices, and corporate environments. While the word Tamasha traditionally refers to a theatrical performance or public spectacle, in the context of industry, it can be metaphorically used to describe strategies, tactics, or phenomena that involve creating dramatic effects to attract attention, drive engagement, or influence consumer behavior.
Here’s a breakdown of how “Tamasha” could apply in different industrial settings:
1. Marketing and Advertising
In the field of marketing and advertising, the concept of Tamasha is frequently applied. Brands create spectacles and dramatized narratives to grab attention and differentiate themselves in a competitive market.
Applications:
- Advertising Campaigns:
- Companies often design dramatic, larger-than-life advertisements to create emotional appeal, generate buzz, and attract attention. For instance, brands like Coca-Cola, Nike, or Apple often use high-production-value commercials that evoke emotions or dramatic storylines to resonate with consumers.
- Example: The dramatic campaigns during holiday seasons where brands use festive and exaggerated themes to invoke feelings of joy and excitement, making it a kind of “Tamasha.”
- Product Launches:
- Big product unveilings in the tech industry (like Apple or Tesla) often involve creating a spectacle with high drama—lighting, music, and carefully choreographed speeches to build anticipation and hype.
- Social Media & Influencer Campaigns:
- The use of influencers and viral marketing on platforms like Instagram, YouTube, and TikTok is another way of creating a “Tamasha.” Social media influencers often “perform” or dramatize experiences with products, creating a spectacle that engages followers, induces emotional reactions, and drives purchasing behavior.
Example in Action:
A new smartphone launch by a company like Apple or Samsung might involve dramatic videos, celebrity endorsements, and a stage performance designed to capture attention and generate excitement in both the media and the consumer market.
2. Entertainment and Events Industry
The entertainment industry inherently thrives on the concept of Tamasha as its primary product is drama, performance, and spectacle. This can range from live events, concerts, theater performances, and even film releases that rely on dramatization and public attention to drive success.
Applications:
- Concerts and Performances:
- Music concerts, like Beyoncé’s or Taylor Swift’s stadium tours, are grand spectacles that combine performance, stage design, and multimedia to create a “Tamasha” experience for the audience.
- Theater and Cinema:
- Film releases, particularly blockbuster movies, create a “Tamasha” to build hype. Think of Hollywood or Bollywood releases where the marketing itself is a spectacle involving teaser trailers, red-carpet events, and media coverage designed to draw in a large audience.
- Publicity Stunts:
- In the events industry, organizers create “Tamashas” through public spectacles or stunts to garner media attention. For example, large flash mobs, guerrilla marketing campaigns, or fashion shows often create buzz through dramatic, attention-grabbing tactics.
Example in Action:
A new blockbuster film release often involves highly dramatized promotional events, such as red carpet events, media interviews, and sneak peeks, all designed to generate excitement and draw attention to the film.
3. Corporate and Brand Identity
In the corporate world, the idea of Tamasha is often applied when companies create spectacles or performative acts to improve their brand image, engage customers, or attract investors. These can include public relations events, corporate social responsibility initiatives, or even strategic public statements that are designed to attract attention.
Applications:
- Public Relations Campaigns:
- Companies may create a spectacle through PR stunts, such as high-profile charity events or CEO interviews, designed to improve brand perception or shape a narrative.
- Example: A company may sponsor a global event or create a massive community outreach project to engage customers and improve its image, especially if it’s perceived as “corporate social responsibility.”
- Brand Activism:
- Brands may take a public stance on societal issues, such as supporting environmental sustainability, gender equality, or social justice, to create a “Tamasha” that builds strong emotional connections with consumers.
- Example: Nike’s campaigns with Colin Kaepernick, which sparked both praise and controversy, were strategically designed to create a dramatized spectacle that aligned with the brand’s values.
- Investor Relations:
- Public announcements or IPO launches often involve creating a dramatic performance, with carefully planned speeches and staged events to attract potential investors and create excitement around the company’s growth potential.
Example in Action:
A newly listed company’s IPO launch might involve a high-profile press conference, exclusive media coverage, and grand event staging to draw attention to the company’s potential, creating a “Tamasha” that appeals to investors and the public alike.
4. Consumer Goods and Retail Industry
The retail industry is often heavily reliant on creating a dramatic experience to engage customers and boost sales. This can be in the form of elaborate store displays, promotional events, or limited-time offers that are designed to heighten the consumer’s excitement.
Applications:
- Flash Sales & Promotions:
- Flash sales or Black Friday events are often staged as a “Tamasha,” with countdowns, dramatic advertisements, and hype created through marketing channels to create a sense of urgency.
- Seasonal Marketing:
- Major retailers such as Walmart or Amazon use seasonal events like holiday sales to craft dramatic spectacles that engage customers and push products. This is particularly evident in Christmas or Diwali sales, where entire stores are designed to look festive, accompanied by dramatic ad campaigns.
- Experiential Marketing:
- Companies create immersive, dramatic experiences for consumers—think of a pop-up store that engages all the senses and offers an immersive environment, like IKEA’s experiential pop-ups or interactive advertising.
Example in Action:
During Black Friday sales, retail stores create dramatic, spectacle-like atmospheres, with long lines, live events, and advertisements emphasizing massive discounts, creating a “Tamasha” atmosphere that encourages people to rush in and make purchases.
5. Political and Social Movements
In political campaigns or social movements, creating a spectacle (a “Tamasha”) can be a deliberate strategy to capture public attention and drive support.
Applications:
- Political Campaigns:
- Leaders or political parties often create dramatic events (rallies, speeches, protests) designed to create a sense of urgency, draw media attention, and mobilize supporters.
- Protests and Activism:
- In activism, flash protests, symbolic acts, and public demonstrations can be designed to be spectacles, drawing attention to a cause by creating a “Tamasha” that engages the public and media.
Example in Action:
A political rally, where candidates use grand speeches, dramatic visual elements, and high-energy music to stir emotions and rally voters, creating a “Tamasha” for both attendees and media coverage.
Conclusion:
The industrial application of Tamasha leverages the idea of dramatic spectacle to create attention, engagement, and emotional connections with an audience. Whether in marketing, entertainment, corporate branding, or political activism, Tamasha is used to engage people, drive action, and build relationships by presenting a dramatic and impactful experience.
Research and development of Tamasha ?
The research and development (R&D) of “Tamasha” in a contemporary industrial, cultural, or social context can be approached in multiple ways, depending on the focus area. Whether exploring “Tamasha” as a concept in entertainment, as a marketing strategy, or as a metaphor for dramatic performance in society, R&D in this context can help understand how to effectively create, enhance, and utilize spectacle or performance in various sectors.
Here, I’ll outline how research and development could be applied to “Tamasha” across different domains:
1. Research and Development in Entertainment Industry (Films, Theater, and Media)
The concept of Tamasha is inherently linked to the entertainment industry, where research and development focus on creating dramatic, engaging spectacles for audiences. In the context of film, theater, and media, R&D could be aimed at improving the production quality, audience engagement, and storytelling techniques that enhance the dramatic aspects of entertainment.
Areas of R&D:
- Storytelling and Narrative Development:
- Research into narrative structures that create emotional engagement and dramatic tension in storytelling. This could include studying how characters evolve and how conflict is framed to maximize audience reaction (e.g., as seen in Tamasha film, where the character’s internal struggle drives the drama).
- Innovative Scripts: Developing new formats for dramatic presentations that push boundaries, like incorporating non-linear narratives, immersive experiences, or interactive storytelling (e.g., augmented reality or virtual reality in film and theater).
- Visual and Special Effects (VFX):
- R&D on using cutting-edge technology to create visual spectacles that enhance the Tamasha experience—be it in movies, theme parks, or concerts. Innovations in CGI, 3D effects, and immersive environments (like VR or AR) can elevate the spectacle.
- Example: In Bollywood films like Tamasha, using visual storytelling techniques to showcase the protagonist’s internal conflict can be developed further through cinematic effects, camera work, and special effects.
- Audience Engagement and Interaction:
- Studying how audiences interact with performances (via social media, real-time feedback, or voting systems in reality shows) and developing methods to deepen engagement. For example, analyzing the emotional response to various forms of performance art, stage design, and lighting effects in live performances.
- Research could focus on immersive theater experiences where audiences are more involved in the spectacle, blurring the line between performer and viewer.
- Innovative Event Production:
- Developing new forms of live entertainment and public spectacles that capitalize on the concept of Tamasha—creating large-scale events like festivals, concerts, or interactive media events that blend digital and physical spaces.
- Example: The evolution of live streaming platforms for concerts, festivals, and shows that create a “Tamasha”-like global spectacle with real-time interactivity.
2. Research and Development in Marketing and Consumer Engagement
In marketing and advertising, Tamasha is often used to describe exaggerated, dramatic, or attention-grabbing strategies designed to create buzz, generate hype, and engage consumers. R&D in this context involves exploring new ways of creating dramatic marketing campaigns or events that stand out in a crowded market.
Areas of R&D:
- Consumer Behavior Analysis:
- Researching how dramatic marketing tactics influence consumer behavior. This could involve the study of emotion-driven campaigns, the use of sensory experiences in advertising, or how controversial or shocking spectacles impact purchasing decisions.
- Example: Analyzing the psychological impact of a dramatic marketing campaign (e.g., Nike’s use of bold, social issue-driven campaigns) and how it drives consumer loyalty and brand engagement.
- Experiential Marketing:
- Developing new forms of experiential marketing where consumers are not just passive observers but participants in a “Tamasha.” This could include research into creating immersive brand experiences in physical or virtual environments, such as pop-up shops, augmented reality experiences, or interactive advertisements.
- Example: Companies like Coca-Cola or Red Bull often create high-energy, theatrical brand experiences that invite customers to actively engage with the brand and participate in dramatic, fun events.
- Event Marketing and Publicity Stunts:
- R&D on how public events or stunts can be designed to capture attention and create a “Tamasha.” Research might focus on how to stage events that combine drama, surprise, and engagement to maximize media coverage and consumer excitement.
- Example: Guerrilla marketing tactics used by brands like Old Spice or Burger King, which often involve dramatic stunts designed to attract attention and engage the public.
3. R&D in Social and Cultural Studies: Tamasha as a Social Phenomenon
Tamasha can also be examined through a sociological lens, particularly when investigating how dramatic spectacles shape societal behaviors, public discourse, and cultural values. R&D in this domain could focus on the impact of social dramas and performance in the media on society.
Areas of R&D:
- Social Media and “Tamasha”:
- Researching how social media influencers and digital platforms create spectacles to engage followers and generate viral moments. This could involve studying the mechanics behind viral trends, influencer culture, and how these digital “Tamashas” shape public discourse.
- Example: Investigating how TikTok challenges or Instagram stunts (which are often exaggerated or performative) impact the way individuals present themselves and consume media.
- Politics and “Tamasha”:
- In politics, R&D could focus on the role of drama and spectacle in political campaigns and public policy. This could involve studying the performative aspects of political discourse (rhetoric, speeches, protests) and how these create public narratives.
- Research could focus on how media spectacle influences voter behavior, trust in leaders, or public opinion during elections.
- Cultural Performances and Traditions:
- Investigating how traditional performances, such as folk theater, festivals, or public events (e.g., Tamasha in Maharashtra), contribute to cultural identity and social cohesion. R&D might focus on how such performances evolve to maintain relevance in contemporary society or how they adapt to new technologies and mediums.
4. Technology and Innovation: The “Tamasha” of Digital Experiences
Advancements in technology—particularly in virtual reality (VR), augmented reality (AR), and immersive media—are creating entirely new forms of “Tamasha” in entertainment and consumer experiences. R&D here focuses on how technology can be used to create engaging, dramatic experiences.
Areas of R&D:
- Virtual Reality (VR) and Augmented Reality (AR):
- Research into how VR and AR can be used to create immersive Tamasha experiences that draw users into dramatic narratives or performances. This could include the development of immersive theater experiences, virtual concerts, or interactive video games that make the audience an active participant.
- Example: The development of 360-degree films or VR performances, where users can experience a story from multiple angles, creating a spectacle that is deeply engaging and personalized.
- Interactive Storytelling:
- Innovating in the interactive storytelling space, where audiences influence the direction of the narrative. This could involve R&D on how technology can be used to enhance the performative and dramatic elements of interactive films or gaming.
- Example: Black Mirror: Bandersnatch allowed viewers to make choices that altered the plot, creating a unique form of Tamasha in the media experience.
5. Business Management and Leadership: The Tamasha of Corporate Strategy
In a corporate setting, R&D can examine how business strategies and corporate leadership sometimes create “Tamashas”—dramatic moves designed to create a spectacle, attract attention, or divert focus from more mundane tasks. This could involve the study of brand repositioning, CEO branding, or corporate stunts that aim to create buzz.
Areas of R&D:
- Corporate Communication and Branding:
- Studying how CEOs and brands use dramatic corporate moves (like controversial decisions, high-profile speeches, or marketing stunts) to shape public perception and attract attention.
- Change Management and Corporate Resilience:
- Researching how dramatic internal changes (like restructuring, mergers, or leadership changes) are handled to create positive spectacle within the company and project stability or innovation to the outside world.
Conclusion:
The research and development of Tamasha spans a wide range of industries and contexts, from entertainment to marketing, social behavior, and technology. It involves studying how dramatic spectacles and performative acts can capture attention, engage audiences, and influence perceptions. Whether in media, advertising, politics, or consumer experience, R&D on Tamasha can lead to more impactful, innovative, and engaging experiences that tap into human emotions and societal trends.
Courtesy : Sim Sim Eye
References
- ^ Jump up to:a b “TAMASHA (PG)”. British Board of Film Classification. 20 November 2015. Archived from the original on 21 November 2015. Retrieved 20 November 2015.
- ^ “Box Office: Worldwide Collections of Tamasha”. Box Office India. 28 November 2015. Archived from the original on 22 December 2016. Retrieved 27 December 2015.
- ^ “‘Tamasha’ not autobiographical, says Imtiaz Ali”. The Indian Express. Mumbai: Indo-Asian News Service. 22 November 2015. Archived from the original on 25 November 2015. Retrieved 25 November 2015.
- ^ Jump up to:a b Sarkar, Suparno (27 November 2015). “‘Tamasha’ review roundup: What critics have to say about Ranbir Kapoor-Deepika Pade kaun starrer”. International Business Times, India Edition. Archived from the original on 22 December 2015. Retrieved 22 January 2016.
- ^ “How Tamasha evolved as a Cult Film – The Indian Wire”. 16 June 2020. Retrieved 16 September 2023.
- ^ “Deepika and Ranbir’s Chemistry in Tamasha is Electrifying”. The Quint. 22 September 2015. Archived from the original on 25 January 2016. Retrieved 5 January 2016.
- ^ Chagani, Anum Rehman (12 February 2015). “Javed Sheikh to play Ranbir Kapoor’s father in ‘Tamasha'”. DAWN.COM. Archived from the original on 8 December 2015. Retrieved 27 November 2015.
- ^ “Tamasha: Some genuine frights but too much orchestrated silliness”. Rediff. Archived from the original on 28 November 2015. Retrieved 27 November 2015.
- ^ “Official IMDb profile of Kshitij Sharma (Award-winning actor and filmmaker)”. IMDb. Archived from the original on 9 November 2017. Retrieved 12 February 2019.
- ^ Khilnani, Rohit (23 November 2015). “Ranbir is Pure, Deepika is Emotionally Perceptive: Imtiaz Ali”. The Quint. Archived from the original on 4 May 2018. Retrieved 4 May 2018.
- ^ “Ranbir Kapoor, Deepika Padukone in Imtiaz Ali’s ‘Window Seat'”. The Indian Express. 20 September 2013. Archived from the original on 23 February 2015. Retrieved 3 May 2018.
- ^ Pathak, Ankur (8 April 2016). “Anushka Sharma Rejected ‘Tamasha’ Because The Role Wasn’t ‘Meaty’ Enough For Her”. HuffPost. Archived from the original on 4 May 2018. Retrieved 3 May 2018.
- ^ Dubey, Gaurav (23 April 2014). “Ranbir Kapoor and Deepika Padukone to pair up again for ‘Tamasha'”. Mid Day. Archived from the original on 11 December 2014. Retrieved 23 February 2015.
- ^ Jump up to:a b Liaqat, Amber (14 November 2015). “Pakistani cinema will have an identity of its own: Imtiaz Ali”. The Express Tribune. Archived from the original on 17 November 2015. Retrieved 18 November 2015.
- ^ “‘Tamasha’ is about choosing your own story: Imtiaz Ali”. Business Standard. 10 March 2015. Archived from the original on 4 May 2018. Retrieved 4 May 2018.
- ^ Jump up to:a b D Gupta, Pratim (7 September 2015). “Imtiaz Ali looks forward to Tamasha, rewinds to Rockstar and Highway, and decodes the ‘Imtiaz Ali template'”. The Telegraph. Archived from the original on 8 September 2015. Retrieved 7 September 2015.
- ^ Kapoor, Jaskiran (26 November 2015). “An inspiration, a formula, a discovery— filmmaker Imtiaz Ali breaks down ‘love'”. The Indian Express. Archived from the original on 9 June 2017. Retrieved 4 May 2018.
- ^ Jump up to:a b c Singh, Harneet (5 October 2015). “There’s nothing I do consciously to make all my films similar: Imtiaz Ali on ‘Tamasha'”. The Indian Express. Archived from the original on 5 October 2015. Retrieved 4 October 2015.
- ^ Jump up to:a b c Tarannum, Asira (18 December 2015). “How Imtiaz Ali filmed his Tamasha”. The Asian Age. Archived from the original on 22 December 2015. Retrieved 20 December 2015.
- ^ “‘Tamasha’ time for Ranbir, Imtiaz as they meet Teejan Bai in Chhattisgarh”. Deccan Chronicle. Archived from the original on 2 September 2014. Retrieved 31 August 2014.
- ^ “Paid homage to Dev Anand in ‘Tamasha’: Ranbir Kapoor”. The Economic Times. 15 November 2015. Archived from the original on 4 November 2016. Retrieved 19 November 2015.
- ^ Parekh, Mitali (2 December 2015). “Ranbir Kapoor, Deepika Padukone’s costumes in Tamasha are as emotive and powerful as the actors”. Firstpost. Archived from the original on 4 December 2015. Retrieved 3 December 2015.
- ^ “Ranbir Kapoor, Deepika Padukone to Shoot in Corsica”. NDTV. 24 June 2014. Archived from the original on 4 July 2014. Retrieved 9 July 2014.
- ^ Pathak, Ankur (7 August 2014). “Ranbir Kapoor to play a nomad in Tamasha”. The Times of India. Archived from the original on 3 April 2018. Retrieved 4 May 2018.
- ^ “Ranbir Kapoor, Deepika angry about leaked images, video”. Emirates 24/7. 7 August 2014. Archived from the original on 10 August 2014. Retrieved 10 August 2014.
- ^ “Tamasha in Shimla”. The Indian Express. 21 November 2014. Archived from the original on 25 November 2014. Retrieved 21 November 2014.
- ^ “Ex-Lovers Ranbir Kapoor and Deepika Padukone Reunite in Shimla?”. International Business Times. 25 November 2014. Archived from the original on 28 November 2014. Retrieved 27 November 2014.
- ^ “Ranbir Kapoor debuts new look for ‘Tamasha'”. Deccan Chronicle. 1 December 2014. Archived from the original on 10 March 2015. Retrieved 8 December 2014.
- ^ Kumar, Karo Christine (24 January 2015). “TETE A TEA WITH DP”. The Telegraph. Archived from the original on 1 February 2015. Retrieved 28 January 2015.
- ^ “Deepika Padukone spotted filming for ‘Tamasha’ in Kolkata”. India Today. 19 January 2015. Archived from the original on 22 January 2015. Retrieved 22 January 2015.
- ^ Jump up to:a b Mazumder, Sreeparna (23 January 2018). “Watch Imtiaz Ali Talk about This Iconic Tamasha Scene Where Deepika Cried for Real”. Vagabomb. Archived from the original on 5 May 2018. Retrieved 4 May 2018.
- ^ “Ranbir Kapoor lands in Delhi to shoot for Imtiaz Ali’s ‘Tamasha'”. The Indian Express. 29 January 2015. Archived from the original on 29 January 2015. Retrieved 29 January 2015.
- ^ “Ranbir Kapoor shoots in Gurgaon”. The Times of India. 30 January 2015. Archived from the original on 4 April 2015. Retrieved 27 November 2015.
- ^ Pacheco, Sunitra (31 January 2015). “Deepika Padukone shoots for ‘Tamasha’ in Delhi”. The Indian Express. Mumbai. Archived from the original on 1 February 2015. Retrieved 1 February 2015.
- ^ “Ranbir Kapoor wraps up ‘Tamasha’ shoot in Delhi”. Deccan Chronicle. 23 February 2015. Archived from the original on 26 February 2015. Retrieved 26 February 2015.
- ^ “Deepika Padukone heads back to Delhi for ‘Tamasha’ shoot”. Deccan Chronicle. 10 March 2015. Archived from the original on 11 March 2015. Retrieved 10 March 2015.
- ^ “Ranbir Kapoor’s ‘Tamasha’ in Shimla now”. The Indian Express. 25 March 2015. Archived from the original on 27 March 2015. Retrieved 25 March 2015.
- ^ Jump up to:a b “Ranbir Kapoor begins Tokyo schedule of Tamasha”. Deccan Chronicle. Archived from the original on 12 April 2015. Retrieved 12 April 2015.
- ^ “Ranbir, Deepika break down on sets of ‘Tamasha'”. Daily News and Analysis. Archived from the original on 8 August 2015. Retrieved 8 August 2015.
- ^ “Deepika Padukone, Ranbir Kapoor’s ‘Tamasha’ in Mumbai next”. The Indian Express. Archived from the original on 1 August 2015. Retrieved 1 August 2015.
- ^ Goyal, Divya (6 August 2015). “Deepika, Ranbir End Their Tamasha by the Sea”. NDTV Movies. Archived from the original on 9 August 2015. Retrieved 7 August 2015.
- ^ Shahryar, Faridoon (13 August 2015). “Aamir Khan’s dedication is legendary — Siddharth Roy Kapur”. Bollywood Hungama. Archived from the original on 13 August 2015. Retrieved 13 August 2015.
- ^ “Ranbir, Deepika’s Personal History Doesn’t Bother Tamasha Director”. 10 March 2015. Archived from the original on 13 September 2015. Retrieved 10 March 2015.
- ^ “Tamasha Cast & Crew”. Bollywood Hungama. 27 November 2015. Archived from the original on 4 May 2018. Retrieved 4 May 2018.
- ^ Setia, Samara (9 November 2021). “Use Your Movie Time To Get Help With Mental Health Issues”. femina.in. Retrieved 21 January 2022.
- ^ Jain, Nishi (20 September 2016). “‘Tamasha’ Is Flawed, Yes, But It’s A Film That Has Its Heart In The Right Place”. MensXP. Retrieved 21 January 2022.
- ^ “”Tamasha”, A Mental Health Tamasha Of Bollywood”. Media Policy Project. 8 July 2021. Retrieved 21 January 2022.
- ^ “Rahman to compose music for Ranbir-Deepika’s Window Seat”. Bollywood Hungama. 30 October 2013. Archived from the original on 25 November 2015. Retrieved 29 October 2015.
- ^ Ramakrishnan, Swetha (9 October 2015). “Watch: Deepika, Ranbir look great in Tamasha’s ‘Matargashti’ but what’s new in that?”. Firstpost. Archived from the original on 11 October 2015. Retrieved 9 October 2015.
- ^ “Tamasha (Original Motion Picture Soundtrack) by A. R. Rahman on iTunes”. iTunes. 19 October 2015. Archived from the original on 17 November 2015. Retrieved 25 November 2015.
- ^ Jump up to:a b K. Jha, Subhash (18 November 2015). “Censor Board beeps saali in Imtiaz’s film”. The Asian Age. Archived from the original on 19 November 2015. Retrieved 18 November 2015.
- ^ Jump up to:a b “Ranbir-Deepika’s kissing scene eliminated from the Movie – Tribune Reporter”. Tribune Reporter. 10 November 2015. Archived from the original on 19 November 2015. Retrieved 18 November 2015.
- ^ “TAMASHA | British Board of Film Classification”. www.bbfc.co.uk. Archived from the original on 21 November 2015. Retrieved 21 November 2015.
- ^ “Tamasha Special Screening”. www.boxofficeindia.co.in. Archived from the original on 27 November 2015. Retrieved 26 November 2015.
- ^ “taran adarsh on Twitter”. Twitter. Archived from the original on 7 March 2016. Retrieved 27 November 2015.
- ^ “Tamasha Review 2.5/5 | Tamasha Movie Review | Tamasha 2015 Public Review | Film Review”. Bollywood Hungama. 27 November 2015.
- ^ Thakkar, Mehul (27 November 2015). “Movie Review ‘Tamasha’ : It’s not just a love story; it’s about a man breaking out of the box”. Deccan Chronicle. Archived from the original on 12 January 2016. Retrieved 27 November 2015.
- ^ “Tamasha movie review: Deepika, Ranbir or Imtiaz – spot the rockstar here : Reviews, News – India Today”. indiatoday.intoday.in. 27 November 2015. Archived from the original on 31 December 2015. Retrieved 27 November 2015.
- ^ Jump up to:a b “Tamasha Movie Review, Trailer, & Show timings at Times of India”. The Times of India. Archived from the original on 5 December 2015. Retrieved 27 November 2015.
- ^ “Tamasha movie review: It’s all about Ranbir, Deepika’s painful yet ecstatic journey”. Zee News. 27 November 2015. Archived from the original on 31 December 2015. Retrieved 27 November 2015.
- ^ “‘Tamasha’ Review: Tale Of Tales”. The Huffington Post. 27 November 2015. Archived from the original on 29 November 2015. Retrieved 28 November 2015.
- ^ “Review: Tamasha is an uneven film, it oscillates between inventive and indulgent”. IBNLive. Archived from the original on 29 November 2015. Retrieved 27 November 2015.
- ^ “Tamasha Review – Bollywood Hungama”. Bollywood Hungama. Archived from the original on 1 January 2016. Retrieved 27 November 2015.
- ^ “Tamasha Movie Review – NDTV Movies”. NDTVMovies.com. Archived from the original on 27 November 2015. Retrieved 27 November 2015.
- ^ “Tamasha Review”. Koimoi. 27 November 2015. Archived from the original on 1 January 2016. Retrieved 27 November 2015.
- ^ Jump up to:a b “Tamasha review: Ranbir Kapoor, Deepika Padukone are back with Imtiaz Ali’s most complex story”. The Indian Express. 27 November 2015. Archived from the original on 29 November 2015. Retrieved 27 November 2015.
- ^ “Tamasha review: Deepika is luminous, Ranbir is powerful, but the film is neither – Firstpost”. Firstpost. Archived from the original on 28 November 2015. Retrieved 27 November 2015.
- ^ Chopra, Anupama (28 November 2015). “Tamasha review by Anupama Chopra: Love, sex and lies”. hindustantimes.com. Hindustan Times. Archived from the original on 30 November 2015. Retrieved 30 November 2015.
- ^ “Tamasha: Ponderous and protracted”. The Hindu. 27 November 2015. ISSN 0971-751X. Archived from the original on 27 May 2018. Retrieved 27 November 2015.
- ^ “Movie Review: Tamasha”. filmfare.com. 27 November 2015. Archived from the original on 2 January 2016. Retrieved 27 November 2015.
- ^ Kandala, Satya. “‘Tamasha’ review: The film falls short of true greatness – The Economic Times”. The Economic Times. Archived from the original on 3 December 2015. Retrieved 28 November 2015.
- ^ Webster, Andy (26 November 2015). “Review: In ‘Tamasha,’ Finding a Path to Love, Show Business and Adulation”. The New York Times. ISSN 0362-4331. Archived from the original on 30 November 2015. Retrieved 27 November 2015.
- ^ “Review: ‘Tamasha’ is a juvenile drama”. gulfnews.com. Archived from the original on 26 November 2015. Retrieved 27 November 2015.
- ^ “Bollywood review: Ranbir Kapoor, Deepika Padukone sizzle in ‘Tamasha'”. Emirates 24|7. 26 November 2015. Archived from the original on 27 November 2015. Retrieved 27 November 2015.
- ^ McCahill, Mike (30 November 2015). “Tamasha review – Bollywood goes nouvelle vague”. the Guardian. Archived from the original on 30 November 2015. Retrieved 30 November 2015.
- ^ “Review ‘Tamasha’: One for the heart – Khaleej Times”. www.khaleejtimes.com. Archived from the original on 28 November 2015. Retrieved 2 December 2015.
- ^ “‘Tamasha’: Film Review”. The Hollywood Reporter. 30 November 2015. Archived from the original on 26 March 2016. Retrieved 6 December 2015.
- ^ Mahmood, Rafay (29 November 2015). “Review: The highways and byways of ‘Tamasha'”. The Express Tribune. Archived from the original on 8 December 2015. Retrieved 8 December 2015.
- ^ “Movie Review – Tamasha – eFilmCritic”. www.efilmcritic.com. Archived from the original on 19 January 2016. Retrieved 9 January 2016.
- ^ “Tamasha”. The Daily Star. 9 January 2016. Archived from the original on 17 January 2016. Retrieved 9 January 2016.
- ^ “Tamasha box office collections: Ranbir, Deepika starrer’s take soars to Rs 65.70 crore by day 4”. The Financial Express. 27 November 2015. Archived from the original on 17 December 2015. Retrieved 5 January 2016.
- ^ Jump up to:a b c d e “Tamasha (2015) | Box Office Earnings – Bollywood Hungama”. Bollywood Hungama. Archived from the original on 7 January 2016. Retrieved 5 January 2016.
- ^ Jump up to:a b c d e f g h i j k l m n o p “Top Grossers 2015 – Indian Box Office”. Indian Box Office. Archived from the original on 5 February 2017. Retrieved 4 February 2017.
- ^ “Big Star Entertainment Awards 2015 Nominations List”. filmibeat.com. 4 December 2015. Retrieved 11 March 2018.
- ^ “Stardust Awards 2016: Complete List of Winners – NDTV Movies”. NDTVMovies.com. Archived from the original on 25 January 2016. Retrieved 22 January 2016.
- ^ Hungama, Bollywood. “Nominations for Stardust Awards 2015 | Latest Movie Features – Bollywood Hungama”. Bollywood Hungama. Archived from the original on 30 March 2016. Retrieved 22 January 2016.
- ^ “Sony Guild Awards 2016 Nominations”. www.indicine.com. 22 December 2015. Archived from the original on 31 January 2016. Retrieved 22 January 2016.
- ^ “Guild Awards 2015: Here’s the full winners’ list! | Latest News & Updates at Daily News & Analysis”. dna. Archived from the original on 14 July 2018. Retrieved 22 January 2016.
- ^ Hungama, Bollywood. “Winners of 22nd Annual Star Screen Awards 2015 | Latest Movie Features – Bollywood Hungama”. Bollywood Hungama. Archived from the original on 30 March 2016. Retrieved 22 January 2016.
- ^ “Nominations for the 61st Britannia Filmfare Awards”. filmfare.com. Archived from the original on 13 April 2016. Retrieved 22 January 2016.
- ^ “Full list of winners of the 61st Britannia Filmfare Awards”. filmfare.com. Archived from the original on 16 March 2016. Retrieved 22 January 2016.
- ^ “Zee Cine Awards 2016: Here are the nominations for the jury awards”. DNA India. Archived from the original on 21 February 2016. Retrieved 19 February 2016.
- ^ Prashar, Chandni (21 February 2016). “Zee Cine Awards: Complete List of Winners”. NDTV. New Delhi. Archived from the original on 2 March 2016. Retrieved 21 February 2016.
- ^ “MMA Mirchi Music Awards”. mirchimusicawards.com. Radio Mirchi. 1 March 2016. Archived from the original on 30 March 2016. Retrieved 1 March 2016.
- ^ “8th Mirchi Music Awards: Complete list of winners”. The Times of India. Archived from the original on 6 November 2016. Retrieved 1 March 2016.
- ^ “TOIFA Awards 2016: Parineeti Chopra-Riteish Deshmukh to host event, SRK, Varun Dhawan to perform; list of nominees”. International Business Times. 11 March 2016. Archived from the original on 11 March 2016. Retrieved 11 March 2018.
- ^ “Nominations 2016 – IIFA”. 27 May 2016. Archived from the original on 27 May 2016. Retrieved 11 March 2018.

