Arundhati Roy (The God of Small Things)

Arundhati Roy (The God of Small Things) ?

Arundhati Roy is an Indian author, known for her debut novel The God of Small Things, which was published in 1997. The novel won the Booker Prize in 1997, bringing Roy international acclaim. Set in the Indian state of Kerala, The God of Small Things explores themes of family, love, caste, and politics through a narrative that blends the personal with the political. The story is centered around the complex relationships within a family and deals with deep social issues, using a non-linear storytelling style.

Apart from her literary career, Arundhati Roy is also a prominent activist and outspoken critic on various issues such as social justice, environmentalism, and human rights. Her works extend beyond fiction, and she has written extensively on global politics, particularly on issues like the Iraq War, the conflict in Kashmir, and India’s nuclear policies.

Roy’s writing style is distinctive, characterized by rich, lyrical prose and a deep emotional resonance that engages readers with complex narratives and vivid characterizations

What is Arundhati Roy (The God of Small Things) ?

The God of Small Things is the debut novel by Indian author Arundhati Roy, published in 1997. The novel is set in the Indian state of Kerala and revolves around the lives of fraternal twins, Ammu and Estha, and their dysfunctional family. The story unfolds against the backdrop of the complex socio-political landscape of India, addressing issues of caste, social norms, love, and the repercussions of historical events.

The plot is nonlinear, weaving between different time periods—flashbacks and present-day events—and is written in a distinctive, lyrical style that incorporates elements of magical realism. The novel explores how small actions and decisions can have profound and lasting impacts on individuals and society.

The God of Small Things won the Booker Prize in 1997, bringing international recognition to Arundhati Roy. The novel’s themes of forbidden love, social inequality, and personal trauma are explored with deep emotional resonance, making it a critically acclaimed work in contemporary literature.

Beyond its literary significance, Roy’s novel is known for its exploration of the intersection of personal lives with larger societal issues, offering a poignant commentary on India’s post-colonial identity and the complexities of its social fabric.

Who is required Arundhati Roy (The God of Small Things) ?

Arundhati Roy’s The God of Small Things is often recommended for readers who are interested in the following:

1. Literary Enthusiasts: Those who enjoy intricate, literary fiction that delves into themes of family dynamics, societal norms, and human emotions.
2. Students of Post-Colonial Literature: The novel offers an insightful exploration of the effects of colonialism, caste, and social inequality in post-colonial India, making it a key text for those studying post-colonial studies.
3. Readers Interested in Indian Culture and Society: The novel provides a deep look into the culture, politics, and social structures of Kerala, India, making it an enriching read for anyone curious about the country’s diverse traditions and history.
4. Fans of Nonlinear Storytelling: The narrative is non-linear, jumping between past and present, so readers who appreciate complex storytelling and layered narratives would find it appealing.
5. People Interested in Magical Realism: The novel incorporates elements of magical realism, where ordinary events are intertwined with surreal or fantastical elements, appealing to those interested in this genre.
6. Those Interested in Complex Characters and Themes: The book explores complex human emotions like guilt, trauma, forbidden love, and revenge, making it suitable for readers who appreciate deep psychological exploration.

In summary, The God of Small Things is for readers who enjoy rich, thought-provoking literature that tackles complex themes and social issues with a poetic and experimental narrative style

When is required Arundhati Roy (The God of Small Things) ?

The God of Small Things by Arundhati Roy is a novel that can be read and appreciated at various times depending on a reader’s interests and context. Here are a few scenarios when the novel might be particularly relevant or required:

1. Literary Studies: If you are studying modern literature, post-colonial literature, or South Asian literature, The God of Small Things is often included as a key text for analysis. It is a significant work in the context of global literature and is often studied in academic courses related to these themes.
2. Exploring Indian Culture and Society: If you are interested in understanding contemporary Indian society, especially the socio-political environment, caste systems, and family dynamics, this novel is an excellent choice. It delves into these aspects through the lens of individual characters and personal stories.
3. Understanding Post-Colonial Issues: For readers interested in post-colonial themes, Roy’s novel offers a vivid depiction of the aftermath of British colonial rule on Indian society, making it particularly relevant in the context of post-colonial studies.
4. Engaging with Complex, Emotional Narratives: If you’re in the mood for a rich, emotionally intense novel that explores deep themes like love, guilt, trauma, and the lasting effects of family secrets, this book would be suitable. It’s especially meaningful when one is looking for a thoughtful, immersive read.
5. Fans of Literary Awards: If you are interested in novels that have won prestigious awards, The God of Small Things won the Booker Prize in 1997, making it an important work for readers who follow award-winning literature.
6. Magical Realism Exploration: If you enjoy or want to explore the genre of magical realism, where reality and fantasy intertwine, the novel provides a fascinating example.

Ultimately, The God of Small Things is required whenever you are in the mood for a thought-provoking, complex, and richly written story that explores personal, familial, and social issues with profound depth and style

COURTESY : Study Lovers Kapil Gangwani

Where is required Arundhati Roy (The God of Small Things) ?

Arundhati Roy’s The God of Small Things is required or particularly relevant in the following contexts:

1. Academic Institutions:
   • Literary Courses: The novel is often included in literature curricula, especially in post-colonial literature, South Asian studies, and modern fiction courses.
   • Book Clubs and Discussion Groups: Its deep themes and complex narrative style make it a popular choice for reading groups or literary discussions, especially those focusing on Indian literature.
2. Libraries and Bookstores:
   • The God of Small Things is a staple in libraries and bookstores, especially those offering collections on contemporary literature, post-colonial studies, or international fiction. It’s a key work in the global literary canon and can be found in many collections.
3. Research on Post-Colonialism:
   • Researchers studying post-colonial themes, Indian society, or the effects of colonialism will find the novel a valuable resource due to its exploration of caste, family dynamics, and identity in post-colonial India.
4. Cultural Exploration and Travel:
   • If you’re planning a visit to Kerala, India, the setting of the novel, reading it beforehand can enhance your understanding of the region’s culture, history, and social complexities. The novel provides a window into the intricacies of Kerala’s local society.
5. Literary Festivals and Events:
   • The God of Small Things is often discussed in literary festivals, talks, and panels, particularly those focused on global literature, feminism, and social justice. It is a well-known text in the literary world.
6. Film and Media Adaptations:
   • The novel has been adapted into various media forms, including stage productions and potential future adaptations for the screen. Studying the novel is crucial for understanding these adaptations and their interpretations.
7. In Personal Exploration of Complex Themes:
   • The novel’s themes of forbidden love, trauma, family secrets, and societal pressure make it a good choice for those exploring deep emotional or psychological narratives.

In summary, The God of Small Things is required in literary academia, cultural studies, libraries, research on post-colonialism, and for anyone interested in understanding the complexities of Indian society, family structures, and human emotions through a literary lens.

How is required Arundhati Roy (The God of Small Things) ?

The God of Small Things by Arundhati Roy is required in various ways due to its unique narrative style, thematic depth, and cultural relevance. Here’s how it is significant:

1. Literary Mastery:
   • The novel is required for its literary craftsmanship. Roy’s writing style is rich, poetic, and deeply layered, making it a key example of contemporary literary techniques. Her use of non-linear storytelling, intricate symbolism, and vivid descriptions makes it a masterpiece for readers interested in sophisticated literary forms.
2. Exploration of Complex Themes:
   • It is required for those seeking to understand complex social and psychological themes. The novel tackles issues such as caste discrimination, forbidden love, family secrets, trauma, and social injustice. Roy’s ability to address these themes in a deeply emotional and multifaceted way adds layers of meaning to the narrative.
3. Post-Colonial Insights:
   • The novel is significant for understanding post-colonial India. It delves into the lingering effects of colonialism on Indian society and its impact on social and cultural norms. Roy highlights how the legacy of British rule shaped relationships, caste, and political systems, making it a valuable text in post-colonial studies.
4. Narrative Innovation:
   • The book is required for its innovative narrative structure. Roy employs a fragmented, non-linear storytelling style that shifts between past and present, creating a puzzle-like reading experience. This style allows for deeper character development and multiple perspectives, enriching the reader’s understanding of the events.
5. Cultural and Political Context:
   • It is required for anyone seeking to understand the cultural and political landscape of Kerala, India. The novel provides a window into the state’s local customs, historical conflicts, and social dynamics, particularly focusing on how religion, politics, and class intersect within a family structure.
6. Feminist Perspectives:
   • The novel also holds significance for those interested in feminist literature. The story focuses on the struggles of female characters, particularly Ammu, whose choices and desires are restricted by societal expectations. It presents a critique of gender roles, patriarchal control, and women’s agency in a patriarchal society.
7. Emotional Impact:
   • The God of Small Things is required for its emotional resonance. The novel’s exploration of personal trauma, love, loss, and the burdens of the past offers readers a deep, emotional connection with the characters. The story’s poignancy and tragic elements create a lasting emotional impact, making it a significant read for anyone interested in human emotions and relationships.

In summary, The God of Small Things is required for its literary innovation, complex themes, cultural and historical insights, and emotional depth. It is a must-read for those interested in literary excellence, post-colonial literature, feminist discourse, and an exploration of the human condition

Case study is Arundhati Roy (The God of Small Things) ?

Yes, The God of Small Things by Arundhati Roy can be analyzed as a case study in multiple ways, particularly in the realms of literature, social issues, and post-colonial studies. Here are several aspects where it can serve as a case study:

1. Literary Case Study: Narrative Structure and Style

• Non-linear storytelling: The novel’s non-linear structure, where the narrative shifts between different time periods (childhood and adulthood of the twins), makes it a prime case study for studying narrative techniques. The way the past and present interweave creates a complex, layered reading experience. It can be examined as a case study in modern narrative innovation and literary form.
• Language and Symbolism: Roy’s use of language, particularly her symbolic imagery and lyrical prose, offers an interesting case for studying how language can convey complex emotions and themes. The “small things” in the novel are often symbolic, and these can be explored in a case study format to analyze their deeper meanings.

2. Social and Cultural Case Study: Caste and Gender in India

• Caste Discrimination: The novel provides a deep exploration of caste and class issues in India, particularly the tension between the upper-class family and the lower caste characters, such as Velutha. The story offers insights into the entrenched social hierarchies that still persist in contemporary Indian society. This can be used as a case study to understand the enduring legacy of caste discrimination.
• Gender Roles and Feminism: The experiences of female characters like Ammu and her struggles with patriarchal structures and societal expectations can serve as a case study in feminist literature. Ammu’s tragic journey sheds light on issues such as female agency, gender oppression, and the consequences of violating social norms. It can be analyzed to understand how gender roles are constructed and enforced in Indian society, especially in the context of the 1960s and 1970s.

3. Post-Colonial Case Study

• Impact of Colonialism: The novel offers an opportunity to study the lasting effects of British colonial rule on Indian society. The family’s struggles and the political backdrop of post-colonial India provide a detailed look at how colonial history continues to shape the country’s socio-political landscape. Roy’s portrayal of the complex interaction between local and Western values is a useful case for post-colonial analysis.
• Social and Political Landscape: The tension between personal desires and political realities is central to the novel. The characters’ lives are shaped by both personal and political forces, which makes it an interesting case study in understanding how the personal intersects with the political in post-colonial literature.

4. Psychological and Emotional Case Study

• Character Development and Trauma: The novel can be explored as a case study in psychological trauma and how it influences characters. Ammu and the other central characters experience deep emotional and psychological scars from their pasts, and Roy’s portrayal of trauma and its long-lasting effects on mental health provides insight into human psychology.
• Forbidden Love and Guilt: The theme of forbidden love between Ammu and Velutha, as well as the guilt and repercussions it causes, offers a psychological case study on shame, social rejection, and the burdens of guilt that characters carry throughout their lives.

5. Literary Awards and Critical Reception Case Study

• Booker Prize Success: The novel’s win of the Booker Prize in 1997 is another angle to explore. A case study could analyze the factors that contributed to its critical acclaim, including its thematic depth, narrative style, and how it resonated with a global audience. It also provides insight into how works of literature from non-Western countries gain recognition and acceptance in the Western literary canon.

6. Globalization and Cultural Influence Case Study

• The novel’s international success and its translation into multiple languages can be studied as a case study on globalization in literature. It reflects how literary works from the global South can transcend cultural boundaries and become part of global literary conversations. Roy’s exploration of universal themes such as love, loss, and societal constraints has made the novel resonate with readers worldwide, making it an interesting case in global literary impact.

---

In conclusion, The God of Small Things serves as a rich case study in multiple areas: literary techniques, social issues, gender and caste dynamics, post-colonialism, psychological trauma, and even the globalization of literature. Its multifaceted approach to storytelling and exploration of complex themes makes it an ideal text for in-depth analysis and study.

White paper on Arundhati Roy (The God of Small Things)

A White Paper on The God of Small Things by Arundhati Roy would be an in-depth, authoritative document that outlines and examines the key themes, literary techniques, socio-political contexts, and impact of the novel. Here’s an outline for a white paper that could be developed on this significant work of literature:

---

White Paper: The Literary and Socio-Political Significance of Arundhati Roy’s The God of Small Things

1. Introduction

• Purpose of the White Paper: This white paper aims to provide a comprehensive analysis of The God of Small Things by Arundhati Roy, a landmark novel in contemporary Indian literature. It will examine the novel’s narrative structure, major themes, its portrayal of social issues, and its global reception.
• Overview of the Novel: First published in 1997, The God of Small Things won the Booker Prize and received critical acclaim for its unique narrative style and its exploration of post-colonial, gender, and caste issues in India. Set in the Kerala backwaters, it weaves a tale of love, tragedy, and societal constraints.

2. Literary Techniques and Narrative Style

• Non-linear Storytelling: An analysis of Roy’s use of fragmented, non-linear narrative, where the past and present are intertwined to create suspense and depth in the storyline.
• Symbolism and Imagery: A detailed exploration of Roy’s use of symbolism, such as the “small things” in the title, and how they represent larger societal and personal issues. The novel’s rich imagery helps evoke emotions and complexities tied to the characters’ lives.
• Character Development: How Roy’s intricate character portrayal adds to the narrative’s depth, focusing on the main characters like Ammu, Velutha, and the twins, Estha and Rahel.

3. Key Themes and Societal Issues

• Caste and Class: The novel explores the rigid caste system in India, focusing on the love affair between Ammu, an upper-caste woman, and Velutha, a lower-caste man. The societal and familial implications of this relationship are examined.
• Gender and Patriarchy: Analyzing the role of women in the novel, especially Ammu’s struggles against societal expectations and patriarchal oppression. The novel critiques the restrictions placed on female autonomy and sexual freedom.
• Colonialism and Post-Colonial Identity: The lasting effects of British colonialism on Indian society and the characters’ identities are explored. This theme is particularly relevant in understanding the cultural conflicts faced by the characters, as they navigate the transition from colonial rule to independence.
• Love and Forbidden Desires: The novel’s portrayal of forbidden love, guilt, and the consequences of defying societal norms is central to its narrative. It raises questions about the nature of love, loyalty, and familial bonds in a conservative society.

4. The Setting and Its Significance

• Kerala as a Microcosm of Indian Society: The novel’s setting in the backwaters of Kerala serves as a metaphor for the stagnation of the caste system and the complexities of Indian social structures. The juxtaposition of natural beauty with the harshness of societal norms is a critical aspect of the novel.
• Historical and Political Context: Set in the 1960s and 1970s, the political backdrop of post-colonial India is essential to understanding the novel’s themes. The shifting social and political landscape impacts the characters and their choices.

5. Feminist Perspective

• Feminist Critique: Analyzing the role of women in the novel, especially through the character of Ammu, who struggles with societal expectations and the limitations placed on women in post-colonial India. Her tragic journey highlights themes of female agency, sexual freedom, and the consequences of defying patriarchal norms.
• Role of Women in the Family and Society: Examining the oppressive structures that restrict women’s lives and the ways in which the novel critiques these structures. The intersection of gender, class, and caste is crucial to understanding the novel’s feminist perspective.

6. Psychological and Emotional Dimensions

• Trauma and Memory: The emotional and psychological scars left by trauma are explored in the novel, particularly through the characters of Estha and Rahel. Their childhood experiences shape their adult lives, making the novel a poignant exploration of psychological trauma and memory.
• Forbidden Love and Guilt: The exploration of guilt and repressed desires in the forbidden relationship between Ammu and Velutha is key to understanding the novel’s emotional weight. The consequences of their actions are felt throughout the novel, illustrating the harsh societal and familial repercussions.

7. Global Reception and Impact

• Literary Acclaim and Recognition: The God of Small Things received worldwide recognition, winning the Booker Prize and being translated into numerous languages. It brought attention to Indian literature on the global stage.
• Influence on Contemporary Literature: The novel’s success has had a profound impact on Indian and global literature, influencing subsequent generations of writers. Its complex narrative and bold exploration of taboo subjects set a new standard for contemporary storytelling.
• Cultural Impact: Roy’s work has been instrumental in raising awareness of issues such as caste discrimination, gender inequality, and post-colonial identity, making the novel a significant cultural artifact in both Indian and global contexts.

8. Conclusion

• Enduring Relevance: The novel remains relevant today, with its examination of social issues such as caste, gender, and the legacies of colonialism continuing to resonate in modern society.
• Roy’s Legacy: Arundhati Roy’s The God of Small Things not only elevated Indian literature to international acclaim but also paved the way for a deeper exploration of socio-political and cultural issues in contemporary literature.
• Implications for Future Research: This white paper encourages further studies on the intersection of literature and politics, gender studies, and post-colonial discourse, using The God of Small Things as a primary text.

---

References

• A list of academic articles, books, and resources that have contributed to the research and analysis of the novel, such as scholarly papers, literary reviews, and critical essays on Roy’s work.

---

This white paper would serve as a thorough academic document, offering valuable insights into Arundhati Roy’s The God of Small Things, and its cultural, social, and literary significance.

Industrial application of Arundhati Roy (The God of Small Things) ?

While Arundhati Roy’s The God of Small Things is a literary work rather than a piece directly related to industrial applications, it can be explored through various indirect industrial and organizational lenses due to the novel’s exploration of social structures, human relationships, and cultural norms. The industrial applications of this novel are primarily metaphorical and conceptual, providing valuable insights that can be applied to organizational behavior, corporate social responsibility, and leadership development.

Here are a few ways in which the themes and insights from The God of Small Things could be applied to industries and organizations:

1. Corporate Social Responsibility (CSR)

• Caste and Class Discrimination: The novel critiques societal structures, including the deep-rooted caste system, which mirrors the power dynamics and inequality that can exist in organizations. In a corporate setting, it could inspire a deeper commitment to diversity, equity, and inclusion (DEI). Industries could use the lessons from the novel to evaluate their CSR strategies and ensure they actively work against discrimination, providing equal opportunities across social strata.
• Fair Treatment of Employees: The unjust treatment faced by characters like Velutha because of his caste can prompt industries to reassess their internal employee treatment policies, ensuring that caste, class, gender, or other social identities are not barriers to employee growth and opportunity.

2. Leadership and Organizational Behavior

• Leadership Styles and Ethics: The characters in The God of Small Things are often trapped in unethical systems that prevent them from exercising freedom or making moral choices (e.g., Ammu’s forbidden love and the tragic consequences). In the corporate world, this can be paralleled with ethical leadership. Leaders can draw lessons on moral leadership, decision-making under social pressures, and the impact of leadership decisions on organizational culture.
• Conflict and Power Dynamics: The novel’s portrayal of family and societal power structures can be used to explore the power dynamics in organizations. Just like the characters in the novel are constrained by societal norms, employees in organizations may also experience power struggles, which could affect morale and productivity. Understanding these dynamics can help in managing conflict and fostering a healthier work environment.

3. Workplace Diversity and Inclusion

• Gender and Social Norms: The challenges Ammu faces due to societal expectations about gender and her relationship with Velutha highlight the significance of gender equality and diversity in the workplace. This can be applied to gender inclusivity programs within industries, promoting women’s empowerment, and ensuring that women in organizations are not confined by patriarchal norms.
• Inclusivity: The social exclusion of marginalized communities (like the lower caste) in the novel reflects a lack of inclusivity. Businesses can look at the novel’s portrayal of exclusion and ensure that inclusive practices are adopted, embracing employees of diverse backgrounds, identities, and abilities.

4. Human Resources and Employee Well-being

• Trauma and Emotional Well-being: The emotional scars the characters carry throughout their lives reflect the importance of mental health and trauma-informed care. In industries, particularly high-stress sectors, there’s a growing recognition of the need to address employee well-being and mental health. Companies can draw from the novel’s psychological themes to promote wellness programs that support employees’ emotional and mental health, especially those facing personal struggles.
• Work-life Balance: The theme of personal sacrifice and how personal desires are often overridden by societal expectations in the novel can translate into discussions on work-life balance in industry. Encouraging employees to pursue personal passions and ensuring a balance between work and personal life can help prevent burnout and enhance long-term productivity.

5. Organizational Culture and Change Management

• Resistance to Change: The novel illustrates how deeply ingrained societal norms and traditions can create resistance to change, much like industries that experience resistance to innovation or cultural shifts. Understanding how characters in the novel challenge or succumb to these norms can serve as a case study for organizations undergoing cultural or structural transformation.
• Adaptability and Innovation: The novel’s exploration of changing dynamics within the family and the repercussions of choices made can parallel the challenges organizations face when adapting to new markets, technologies, or business models. It provides lessons on innovation, flexibility, and the ability to embrace new perspectives.

6. Branding and Storytelling in Marketing

• Emotional Storytelling: The God of Small Things has a strong emotional undercurrent that resonates with readers. Businesses can apply the novel’s storytelling techniques in brand messaging. The emotional depth, symbolism, and use of personal narratives in the novel can inspire brands to create more authentic, emotional storytelling that connects with consumers on a deeper level.
• Narrative and Identity: The novel highlights the tension between personal identity and societal expectations, which could inspire industries to rethink their own corporate narratives and branding strategies. Companies can embrace stories that are true to their mission, values, and the communities they serve, creating an identity that resonates with consumers.

7. Ethical Business Practices and Social Justice

• Ethics and Morality in Business: The tragic consequences of breaking societal norms in the novel highlight the impact of ethical choices in people’s lives. In the business context, this theme can be applied to corporate ethics, where companies are encouraged to adopt and enforce strict ethical standards that prioritize integrity and social justice over profit.
• Sustainable Development: The environmental themes that subtly appear in the backdrop of the novel’s setting (such as the natural beauty of Kerala) can also inspire industries to adopt sustainable practices, ensuring that business activities do not harm the environment or local communities.

Conclusion

While The God of Small Things is primarily a work of literature, its themes of social justice, power dynamics, gender equity, and cultural norms have strong applications in industrial and organizational contexts. The novel encourages organizations to critically evaluate their practices, from diversity and inclusion to ethical leadership and employee well-being, ensuring that societal issues reflected in the novel are addressed in the workplace. By integrating these lessons, businesses can create a more ethical, inclusive, and forward-thinking culture that values human dignity, diversity, and long-term sustainability

Research and development of Arundhati Roy (The God of Small Things) ?

The research and development (R&D) of Arundhati Roy’s The God of Small Things primarily pertains to the creation, contextual exploration, and scholarly analysis of the novel. While R&D in this sense isn’t directly related to product development or technological innovation, the term can be used to describe the literary analysis, cultural impact, and academic study of Roy’s work. Below is an exploration of how R&D can be applied to the novel in various domains:

1. Literary Creation and Writing Process

• Background and Inspirations: Arundhati Roy’s writing process for The God of Small Things involved a long period of research and reflection on the social, political, and cultural issues surrounding post-colonial India. Roy was influenced by her personal experiences in Kerala, where the novel is set, as well as her exposure to history, social justice issues, and the complex social fabric of India. Her research would have included understanding the caste system, gender roles, colonial legacy, and intergenerational trauma.
• Writing Style and Technique: Roy employed a distinctive narrative style, blending non-linear storytelling, symbolism, and magical realism. The development of such a writing style was an essential part of her literary R&D. The use of multi-layered language and non-traditional structures was innovative and drew attention from critics and scholars. Researchers in literature might analyze how Roy’s choices in narrative structure affect the reader’s understanding of time, memory, and historical events.

2. Cultural and Historical Research

• Post-colonial Context: The novel was deeply influenced by India’s post-colonial history and the remnants of British rule, particularly in the way colonialism shaped social divisions. Roy’s research into these social histories would have explored themes of imperialism, class struggles, and linguistic diversity in India. Scholars and researchers might focus on the historical aspects of colonial India and how it influenced the modern Indian society depicted in the novel.
• Caste System and Social Hierarchies: A key theme of The God of Small Things is the depiction of the Indian caste system, especially through the character of Velutha, a lower-caste man who faces societal exclusion. Researchers have explored how Roy portrays caste oppression, social mobility, and the intergenerational effects of caste-based discrimination. Roy’s research into the caste system, combined with her experiences in Kerala, played a significant role in the development of these themes.
• Gender and Patriarchy: Roy’s exploration of gender roles, particularly through the experiences of Ammu and other female characters, involves in-depth research on gender inequality in Indian society. The impact of the patriarchal society and how it affects women’s choices and freedoms is a focal point of the novel. Researchers examine the novel for insights into feminist theories and gender studies.

3. Language and Linguistic Development

• Inventive Language Use: One of the unique aspects of Roy’s writing is her inventive use of language. She blends English with local Malayalam expressions, creating a hybrid form that reflects the reality of many post-colonial societies. Linguistic scholars have researched how this use of language impacts the identity, cultural representation, and readability of the text.
• Regional Influences: Roy’s development of the novel’s language was deeply influenced by the regional dialects and cultural references of Kerala, providing an authentic portrayal of the region’s culture. Research into this aspect often explores code-switching, language diversity, and how writers adapt language to reflect their native environments.

4. Post-colonial Literary Criticism

• Theoretical Frameworks: The God of Small Things has been the subject of extensive research in the field of post-colonial literature, where it is studied for its portrayal of the lingering effects of colonialism, national identity, and cultural conflict. Literary scholars often apply post-colonial theories to analyze the novel, examining how it deals with the repercussions of British colonial rule in India.
• The Subaltern and Marginalization: The treatment of marginalized characters like Velutha has been a significant area of research in the context of subaltern studies and post-colonial criticism. Research often focuses on the marginalization of lower-caste individuals and how their lives are shaped by systemic inequality.

5. Impact on Literary Trends and Reception

• International Reception and Critique: Upon its release, The God of Small Things received critical acclaim, winning the Booker Prize in 1997. Its success sparked widespread academic interest, with research exploring its global literary impact. Scholars examined how the novel contributes to the Indian English literature canon and how it compares with other post-colonial works.
• Narrative Form and Innovation: The novel’s non-linear narrative, intricate symbolism, and blending of magical realism have prompted extensive research into innovative narrative techniques in contemporary literature. Researchers have studied how Roy’s storytelling method influences literary forms and genre boundaries.

6. Adaptation Studies

• Film Adaptation: The novel was adapted into a feature film in 1999 by director Mira Nair, and this adaptation has been a subject of critical analysis in research. Scholars examine the differences and similarities between the novel and the film, focusing on how themes of memory, trauma, and social oppression are portrayed across the two media. Research also includes the challenges of adapting complex narratives to the visual medium.

7. Critical Reviews and Scholarly Articles

• Research on The God of Small Things often involves critical reviews and articles that explore specific elements such as character development, thematic depth, symbolism, and cultural critique. Many academic journals in literature, South Asian studies, and post-colonial studies contain numerous articles that analyze various aspects of the novel. These critical assessments deepen the understanding of Roy’s thematic concerns, as well as the novel’s cultural and political significance.

8. Influence on Social and Political Movements

• Roy has been an active political voice in India, advocating for various social causes, including environmentalism, anti-globalization, and human rights. Research into the political implications of The God of Small Things often explores the intersection of literature and activism, considering how Roy’s social and political views inform her writing and contribute to broader political discourse.

Conclusion

The research and development of Arundhati Roy’s The God of Small Things involves an interdisciplinary approach that spans literary analysis, historical research, and social critique. Scholars and researchers have examined the novel through the lenses of post-colonial theory, gender studies, social justice, linguistics, and narrative innovation. The novel’s cultural impact, the originality of its narrative form, and the depth of its social commentary continue to inspire extensive research across multiple academic fields. Through this research, The God of Small Things maintains its place as a significant work in both Indian literature and global literary studies.

COURTESY : TED-Ed

Reference

1. ^ Jump up to:^a b c d “Interview with Arundhati Roy: How Small Things Grow into Something Far Greater”. HarperCollins. 7 May 1997. Archived from the original on 13 October 1997. Retrieved 29 December 2024.
2. ^ Roy, Amitabh (2005). The God of Small Things: A Novel of Social Commitment. Atlantic. pp. 37–38. ISBN 978-81-269-0409-9.
3. ^ Roy, Arundhati (1998). The God of Small Things. HarperPerennial. p. 321. ISBN 9780060977498.
4. ^ Barsamian, David (16 July 2007). “Interview with Arundhati Roy”. The Progressive. Retrieved 29 December 2024.
5. ^ Jump up to:^a b c Jana, Reena (30 September 1997). “Arundhati Roy”. Salon.com. Retrieved 28 December 2024.
6. ^ Gani, Martin. An Interview with Arundhati Roy, the Author of The God of Small Things . online pdf here: https://www.sosyalarastirmalar.com/articles/an-interview-with-arundhati-roy-the-author-of-the-god-of-small-things.pdf
7. ^ Lipson Freed, Joanne (2011). “The Ethics of Identification:: The Global Circulation of Traumatic Narrative in Silko’s Ceremony and Roy’s The God of Small Things”. Comparative Literature Studies. 48 (2): 219–240. doi:10.5325/complitstudies.48.2.0219. JSTOR 10.5325/complitstudies.48.2.0219. S2CID 146663259.
8. ^ Jump up to:^a b c Tickell, Alex (2007). Arundhati Roy’s The God of Small Things. London New York: Routledge Taylor and Francis Group. pp. 13. ISBN 978-0-415-35842-2.
9. ^ Kakutani, Michiko (3 June 1997). “Melodrama as Structure for Subtlety”. The New York Times.
10. ^ Truax, Alice (25 May 1997). “A Silver Thimble in Her Fist”. The New York Times.
11. ^ Eder, Richard (1 June 1997). “As the world turns: rev. of The God of Small Things“. Los Angeles Times. p. 2. Archived from the original on 4 June 2011. Retrieved 18 January 2010.
12. ^ Carey, Barbara (7 June 1997). “A lush, magical novel of India”. Toronto Star. p. M.21.
13. ^ “Books: The best of 1997”. Time. 29 December 1997. Archived from the original on 6 March 2008. Retrieved 18 January 2010.
14. ^ “The scene is set for the Booker battle”. BBC News. 24 September 1998. Retrieved 18 January 2010.
15. ^ Kutty, N. Madhavan (9 November 1997). “Comrade of Small Jokes”. The Indian Express. Archived from the original on 5 June 2000. Retrieved 18 January 2010.
16. ^ Bumiller, Elisabeth (29 July 1997). “A Novelist Beginning with a Bang”. The New York Times. Retrieved 18 January 2010.
17. ^ Basheer, K. P. M. (3 January 2012). “Estha, Rahel now speak Malayalam”. The Hindu. Retrieved 20 July 2015.
18. ^ “BBC toasts Indian literature”.
19. ^ Tickell, Alex (2007). Arundhati Roy’s The God of Small Things. UK USA Canada: Routledge Taylor and Francis Group. pp. xiii. ISBN 978-0203004593.
20. ^ “10 best Asian novels of all time”. The Telegraph. 22 April 2014. Retrieved 6 December 2020.
21. ^ “100 ‘most inspiring’ novels revealed by BBC Arts”. BBC News. 5 November 2019. Retrieved 10 November 2019. The reveal kickstarts the BBC’s year-long celebration of literature.
22. ^ Lee-Potter, Emma (5 August 2020). “12 best Indian novels that everyone needs to read”. The Independent. Archived from the original on 18 June 2022. Retrieved 23 December 2020.
23. ^ “The Big Jubilee Read: A literary celebration of Queen Elizabeth II’s record-breaking reign”. BBC. 17 April 2022. Retrieved 15 July 2022.
24. ^ Boilen, Bob (29 October 2015). “First Watch: Darlingside, ‘God of Loss'”. NPR. Retrieved 25 April 2017. The character Velutha is tangled in a web of familial, cultural and romantic loyalties. The lyrics for ‘The God of Loss’ were inspired by Velutha’s attempts to preserve his humanity in the face of those competing forces.
25.  “Arundhati Roy”. Encyclopædia Britannica. Archived from the original on 13 June 2013. Retrieved 12 May 2013.
26. ^ Jump up to:^a b c d Pellegrino, Joe. “Arundhati Roy”. jpellegrino.com.
27. ^ Jump up to:^a b c d Elmhirst, Sophie (21 July 2011). “Arundhati Roy — “Every day, one is insulted in India”. New Statesman.
28. ^ Jump up to:^a b Ali, Nayare (14 July 2002). “There’s something about Mary”. Times of India. Archived from the original on 4 January 2016. Retrieved 12 May 2013.
29. ^ “Arundhati Roy”. Bookclub. 2 October 2011. BBC Radio 4. Archived from the original on 1 December 2014. Retrieved 18 January 2014.
30. ^ Gokulan, Dhanusha (11 November 2012). “‘Fairy princess’ to ‘instinctive critic'”. Khaleej Times. Archived from the original on 3 November 2014. Retrieved 2 November 2014.
31. ^ Mollan, Cherylann (27 June 2024). “Arundhati Roy wins PEN Pinter Prize for ‘powerful voice'”. Mumbai: BBC News. Archived from the original on 27 June 2024.
32. ^ Jump up to:^a b Spanoudi, Melina (10 October 2024). “Arundhati Roy shares PEN Pinter Prize 2024 with Alaa Abd El-Fattah”. The Bookseller. Retrieved 12 October 2024.
33. ^ Jump up to:^a b “Arundhati Roy, 1959–”. The South Asian Literary Recordings Project. Library of Congress, New Delhi Office. 15 November 2002. Archived from the original on 4 April 2009. Retrieved 6 April 2009.
34. ^ Jump up to:^a b Dey, Debalina (6 September 2020). “Arundhati Roy joins Shashi Tharoor, Kangana Ranaut in list of ‘casteless’ upper-caste Indians”. The Print. Archived from the original on 7 September 2020. Retrieved 14 December 2023. I am not (a Brahmin)… My mother is a Christian and my father belonged to an organisation called Brahmo Samaj, which is not Brahmin, but he also became Christian… So I am not a Brahmin.
35. ^ Jump up to:^{a b c d e f g h i} Deb, Siddhartha (5 March 2014), “Arundhati Roy, the Not-So-Reluctant Renegade”, The New York Times. Accessed 5 March 2014. Archived 21 April 2016 at the Wayback Machine“.
36. ^ Massey Sahib at IMDb
37. ^ Jump up to:^a b “Arundhati Roy, Author-Activist” Archived 24 November 2010 at the Wayback Machine, India Today. Retrieved 16 June 2013
38. ^ Jump up to:^a b “36th National Film Awards (PDF)” (PDF). Directorate of Film Festivals. Archived (PDF) from the original on 4 November 2016. Retrieved 25 February 2015.
39. ^ The Great Indian Rape-Trick Archived 14 April 2016 at the Wayback Machine @ SAWNET -The South Asian Women’s NETwork. Retrieved 25 November 2011.
40. ^ “Arundhati Roy: A ‘small hero'”. BBC News. 6 March 2002. Archived from the original on 28 May 2008. Retrieved 8 December 2006.
41. ^ Jump up to:^a b c Ramesh, Randeep (17 February 2007). “Live to tell”. The Guardian. London. Archived from the original on 6 May 2009. Retrieved 6 April 2009.
42. ^ Jump up to:^a b Roy, Amitabh (2005). The God of Small Things: A Novel of Social Commitment. Atlantic. pp. 37–38. ISBN 978-81-269-0409-9.
43. ^ “Notable Books of the Year 1997”. The New York Times. 7 December 1997. Archived from the original on 9 December 2008. Retrieved 21 March 2007.
44. ^ “Best Sellers Plus”. The New York Times. 25 January 1998. Archived from the original on 9 December 2008. Retrieved 21 March 2007.
45. ^ Kakutani, Michiko (3 June 1997). “Melodrama as Structure for Subtlety”. The New York Times. Archived from the original on 18 March 2017. Retrieved 5 February 2017.
46. ^ Truax, Alice (25 May 1997). “A Silver Thimble in Her Fist”. The New York Times. Archived from the original on 13 December 2016. Retrieved 5 February 2017.
47. ^ Eder, Richard (1 June 1997). “As the world turns: rev. of The God of Small Things“. Los Angeles Times. p. 2. Archived from the original on 4 June 2011. Retrieved 18 January 2010.
48. ^ Carey, Barbara (7 June 1997). “A lush, magical novel of India”. Toronto Star. p. M.21.
49. ^ “Books: The best of 1997”. Time. 29 December 1997. Archived from the original on 25 August 2010. Retrieved 18 January 2010.
50. ^ “The scene is set for the Booker battle”. BBC News. 24 September 1998. Archived from the original on 25 October 2011. Retrieved 18 January 2010.
51. ^ Kutty, N. Madhavan (9 November 1997). “Comrade of Small Jokes”. The Indian Express. Retrieved 18 January 2010.
52. ^ Bumiller, Elisabeth (29 July 1997). “A Novelist Beginning with a Bang”. The New York Times. Archived from the original on 1 June 2013. Retrieved 18 January 2010.
53. ^ Sanghvi, Vir, “I think from a very early age, I was determined to negotiate with the world on my own”, The Rediff Special. Retrieved 18 April 2012. Archived 3 March 2016 at the Wayback Machine.
54. ^ Ramesh, Randeep (10 March 2007). “An activist returns to the novel”. The Sydney Morning Herald. Archived from the original on 16 October 2007. Retrieved 13 March 2007.
55. ^ “We Are One: a celebration of tribal peoples published this autumn”. Survival International. 16 October 2009. Archived from the original on 29 October 2009. Retrieved 25 November 2009.
56. ^ “‘We Are One: A celebration of tribal peoples’ – new book published this autumn”. Survival International. 21 July 2009. Archived from the original on 22 June 2015. Retrieved 2 June 2015.
57. ^ Roy, Arundhati (2019), My Seditious Heart: Collected Nonfiction, Haymarket Books.
58. ^ “Arundhati Roy announces second book after 19 yrs; to release in June 2017”, Hindustan Times. 3 October 2016. Retrieved 3 October 2016. Archived 18 October 2016 at the Wayback Machine.
59. ^ Book Depository Retrieved 27 July 2017. Archived 27 July 2017 at the Wayback Machine
60. ^ Press Trust of India (23 January 2018). “Arundhati Roy and Mohsin Hamid among five finalists for top US book critics award”. Hindustan Times. Archived from the original on 4 February 2018.
61. ^ “Arundhati Roy: Necessary, but wrong”. The Economist. 30 July 2009. Archived from the original on 22 February 2015. Retrieved 19 February 2015.
62. ^ Jump up to:^a b Roy, Arundhati (13 December 2008). “The Monster in the Mirror”. The Guardian. London. Archived from the original on 5 September 2013. Retrieved 18 January 2010.
63. ^ Thottam, Jyoti (4 September 2008). “Valley of Tears”. Time. Archived from the original on 5 May 2010. Retrieved 6 April 2009.
64. ^ Ghosh, Avijit (19 August 2008). “Kashmir needs freedom from India: Arundhati Roy”. The Times of India. Archived from the original on 8 February 2009. Retrieved 6 April 2009.
65. ^ “Cong attacks Roy on Kashmir remark”. The Times of India. The Economic Times. India. 20 August 2008. Archived from the original on 24 December 2008. Retrieved 25 March 2009.
66. ^ Jump up to:^a b c “Cong asks Arundhati Roy to withdraw statement on J-K”. 25 October 2010. Archived from the original on 16 January 2013. Retrieved 26 August 2012.
67. ^ “Case registered against Arundhati, Geelani”. The Hindu. 29 November 2010. ISSN 0971-751X. Archived from the original on 7 February 2016. Retrieved 22 November 2015.
68. ^ “Sedition case registered against Arundhati Roy, Geelani”. NDTV.com. Archived from the original on 4 January 2016. Retrieved 22 November 2015.
69. ^ Livemint (15 June 2024). “‘Trying to prove they’re back’: Opposition slams ‘political’ UAPA action against Arundhati Roy for old Kashmir speech”. livemint.com. Retrieved 15 June 2024.
70. ^ Roy, Arundhati (4 June 1999). “The Greater Common Good”. Frontline. 16 (11). Archived from the original on 11 February 2007. Retrieved 9 May 2007.
71. ^ Drowned Out at IMDb
72. ^ “Playwright Tendulkar in BJP gunsight”. The Telegraph (Kolkata). 13 December 2003. Archived from the original on 24 December 2008. Retrieved 6 April 2009. The Telegraph – Calcutta: Nation.
73. ^ “Arundhati’s contempt: Supreme Court writes her a prison sentence”. The Indian Express. 7 March 2002. Archived from the original on 15 February 2008. Retrieved 21 January 2008.Venkatesan, V.; Sukumar Muralidharan (31 August 2001). “Of contempt and legitimate dissent”. Frontline. Archived from the original on 20 February 2012.
74. ^ In re: Arundhati Roy…. Contemner, JUDIS (Supreme Court of India bench, Justices G.B. Pattanaik & R.P. Sethi 6 March 2002).
75. ^ Roy, Arundhati (7 March 2002). “Statement by Arundhati Roy”. Friends of River Narmada. Archived from the original on 28 September 2006. Retrieved 21 March 2007.
76. ^ Guha, Ramachandra, “The Arun Shourie of the left”^[usurped], The Hindu, 26 November 2000.
77. ^ Guha, Ramachandra (17 December 2000), “Perils of extremism”, The Hindu. Archived 20 June 2014 at the Wayback Machine.
78. ^ Ram, N. (19 January 2001). “Scimitars in the Sun: N. Ram interviews Arundhati Roy on a writer’s place in politics”. Frontline, The Hindu. Archived from the original on 23 December 2008. Retrieved 30 October 2008.
79. ^ Omvedt, Gail. “An Open Letter to Arundhati Roy”. Friends of River Narmada. Archived from the original on 26 October 2008. Retrieved 30 October 2008.
80. ^ “STS Program » Science and Democracy Lecture Series » News & Events » Arundhati Roy”. Archived from the original on 4 March 2016. Retrieved 18 September 2014.
81. ^ Roy, Arundhati (29 September 2001). “The algebra of infinite justice”. The Guardian. Archived from the original on 22 June 2017. Retrieved 1 June 2017.
82. ^ Roy, Arundhati (23 October 2001). “‘Brutality smeared in peanut butter’: Why America must stop the war now”. The Guardian. London. Archived from the original on 10 February 2009. Retrieved 11 March 2009.
83. ^ Roy, Arundhati (13 May 2003). “Instant-Mix Imperial Democracy (Buy One, Get One Free)”. Text of speech at the Riverside Church. Commondreams.org. Archived from the original on 4 April 2009. Retrieved 6 April 2009.
84. ^ Roy, Arundhati. “Instant-Mix Imperial Democracy, Buy One Get One Free – An Hour With Arundhati Roy”. Text of speech at the Riverside Church. Democracy Now!. Archived from the original on 8 April 2009. Retrieved 6 April 2009.
85. ^ Roy, Arundhati (28 February 2006). “George Bush Go Home”. The Hindu. Archived from the original on 23 February 2007. Retrieved 21 March 2007.
86. ^ “Letters | War crimes and Lebanon”. The Guardian. London. 3 August 2006. Retrieved 6 April 2009.
87. ^ Bajko, Matthew S. (17 May 2007). “Political Notebook: Queer activists reel over Israel, Frameline ties”. The Bay Area Reporter. Archived from the original on 20 August 2007. Retrieved 1 August 2007.
88. ^ “Gaza’s rockets part of resistance, says collective led by Arundhati Roy, Nayantara Sahgal”. The Hindu. 17 May 2021.
89. ^ “Palestinians have right to resist illegal occupation, India’s leading thinkers say”. Geo News. 18 May 2021.
90. ^ “‘Palestinians have right to resist Israeli occupation'”. The News International. 18 May 2021.
91. ^ Roy, Arundhati (15 December 2023). “‘Our country has lost its moral compass’: Arundhati Roy”. The Hindu. Retrieved 20 December 2023.
92. ^ Sheehan, Dan (28 October 2024). “Thousands of Authors Pledge to Boycott Israeli Cultural Institutions”. Literary Hub. Retrieved 11 November 2024.
93. ^ Creamer, Ella; Knight, Lucy (28 October 2024). “Sally Rooney, Rachel Kushner and Arundhati Roy call for boycott of Israeli cultural institutions”. The Guardian. Retrieved 11 November 2024.
94. ^ Roy, Arundhati (10 February 2013). “A perfect day for democracy”. The Hindu. ISSN 0971-751X. Retrieved 21 April 2020.
95. ^ Roy, Arundhati (13 December 2008). “Arundhati Roy: Mumbai was not India’s 9/11”. The Guardian. ISSN 0261-3077. Retrieved 21 April 2020.
96. ^ Roy, Arundhati (18 December 2006). “Book Extract: The Strange Case of the attack on the Indian Parliament”. Outlook India. Retrieved 21 April 2020.
97. ^ Swami, Praveen (11 February 2013). “The vanity of 13/12 ‘truth-telling'”. The Hindu. ISSN 0971-751X. Retrieved 21 April 2020.
98. ^ Roy, Arundhati (30 October 2006), “And His Life Should Become Extinct”, Outlook. Archived 3 March 2016 at the Wayback Machine.
99. ^ “BJP flays Arundhati for ‘defending’ Afzal”. 28 October 2006. Archived from the original on 17 January 2013. Retrieved 24 August 2012.
100. ^ Malik, Surabhi, ed. (9 February 2013). “Afzal Guru, Parliament attack convict, hanged in Delhi’s Tihar Jail”. Archived from the original on 3 September 2014. Retrieved 1 September 2014.
101. ^ Roy, Arundhati (10 February 2013). “The hanging of Afzal Guru is a stain on India’s democracy”. The Guardian. Archived from the original on 20 December 2013. Retrieved 14 December 2023.
102. ^ Roy, Arundhati (15 March 2003). “Arundhati Roy to Kerala Chief Minister Antony”. Frontline. Vol. 20, no. 6. Archived from the original on 22 December 2008. Retrieved 25 March 2009.
103. ^ “All terrorism roads lead to Pakistan, says Rushdie”. The Times of India. 18 December 2008. Archived from the original on 21 December 2008. Retrieved 18 December 2008.
104. ^ “Rushdie Slams Arundhati Roy”. The Times of India. 18 December 2008. Archived from the original on 13 September 2017. Retrieved 18 January 2010.
105. ^ Singh, Tavleen (21 December 2008). “The Real Enemies”. The Indian Express. Archived from the original on 6 January 2010. Retrieved 18 January 2010.
106. ^ Jump up to:^a b Roy, Arundhati (1 April 2009). “This is not a war on terror. It is a racist war on all Tamils”. The Guardian. London. Archived from the original on 28 May 2017. Retrieved 11 December 2016.
107. ^ “Lankan writer slams Arundhati Roy” Archived 1 April 2016 at the Wayback Machine, The Indian Express, 4 April 2009.
108. ^ “Situation in Sri Lanka absolutely grim”. Tamil Guardian. 25 October 2010. Archived from the original on 20 July 2011. Retrieved 1 November 2010.
109. ^ Jump up to:^a b Karan Thapar, “India is a corporate, Hindu state: Arundhati” Archived 27 December 2013 at the Wayback Machine, CNN-IBN, 12 September 2010.
110. ^ “Govt at war with Naxals to aid MNCs: Arundhati” Archived 27 December 2013 at the Wayback Machine, IBNLive, 21 October 2009.
111. ^ Amulya Ganguli, “Rooting for rebels” Archived 12 March 2013 at the Wayback Machine, 11 May 2010. DNA India.
112. ^ “Walking With The Comrades” Archived 15 October 2013 at the Wayback Machine, Outlook cover story, 29 March 2010.
113. ^ “Cops shouldn’t have used public bus: Arundhati” Archived 22 May 2010 at the Wayback Machine, The Times of India, 19 May 2010.
114. ^ “Naxals are patriots: Arundhati”. Hindustan Times. Archived from the original on 20 January 2011. Retrieved 18 August 2014.
115. ^ “Sedition case registered against Arundhati Roy, Geelani”. NDTV. 29 November 2010. Archived from the original on 4 October 2012. Retrieved 18 August 2014.
116. ^ “Kashmir has never been integral part of India: Arundhati”. The Indian Express. 25 October 2010. Archived from the original on 16 January 2013. Retrieved 18 August 2014.
117. ^ “Arundhati, Geelani charged with sedition”. Hindustan Times. 29 November 2010. Archived from the original on 17 January 2013. Retrieved 17 October 2012.
118. ^ Chamberlain, Gethin (26 October 2010). “Arundhati Roy faces arrest over Kashmir remark”. The Guardian. Archived from the original on 17 September 2013. Retrieved 17 October 2012.
119. ^ Jebaraj, Priscilla (2 January 2011). “Binayak Sen among six charged with sedition in 2010”. The Hindu. Archived from the original on 16 January 2013. Retrieved 17 October 2012.
120. ^ “India: Drop Sedition Charges Against Cartoonist”. Human Rights Watch. 12 October 2012. Archived from the original on 15 October 2012. Retrieved 17 October 2012.
121. ^ Roy, Arundhati (21 August 2011), “I’d rather not be Anna”, The Hindu. Retrieved 18 June 2012. Archived 1 February 2024 at the Wayback Machine.
122. ^ Jump up to:^a b Kejriwal, Pritha. “Love is the Centre, an Interview with Arundhati Roy”. Kindle Magazine. Archived from the original on 19 April 2014. Retrieved 15 April 2014.
123. ^ Mukherjee, Vishwajoy (22 August 2011). “We Are Not Like the Maoists: Medha Patkar”. Tehelka. Retrieved 29 August 2011.
124. ^ “Arundhati Roy writing her second novel”. The Hindu. 11 November 2013. Archived from the original on 13 November 2013. Retrieved 13 November 2013.
125. ^ Archived at Ghostarchive and the Wayback Machine: Goodman, Amy (28 November 2019). Arundhati Roy: It’s Hard to Communicate the Scale and the Shape of This Shadow Taking India Over (Video). Democracy Now!. Event occurs at 26:30.
126. ^ Roy, Arundhati (28 April 2021). “‘We are witnessing a crime against humanity’: Arundhati Roy on India’s Covid catastrophe”. The Guardian. Retrieved 29 April 2021.
127. ^ Jump up to:^a b Cunningham, Erin; Farzan, Antonia Noori (29 April 2021). “U.S. coronavirus aid to begin arriving in India amid record surge of cases”. The Washington Post. Retrieved 29 April 2021.
128. ^ Slater, Joanna; Masih, Niha (30 April 2021). “In India’s devastating coronavirus surge, anger at Modi grows”. The Washington Post. Retrieved 30 April 2021.
129. ^ Roy, Arundhati (29 April 2021). “It’s Not Enough to Say the Govt Has Failed. We Are Witnessing a Crime Against Humanity”. The Wire. Retrieved 30 April 2021.
130. ^ Jump up to:^a b “Congress, BJP slam Arundhati Roy over her remarks on NPR”. India Today. 26 December 2019. Retrieved 26 December 2019.
131. ^ “Cong, BJP slam Arundhati Roy over her remarks on NPR”. Outlook (India). Retrieved 26 December 2019.
132. ^ “‘Arundhati Roy idiolises criminals like Ranga-Billa’: Uma Bharti hits out, Congress joins”. The Statesman. 26 December 2019. Retrieved 26 December 2019.
133. ^ “Police complaint against Arundhati Roy for her DU speech”. India Today. 27 December 2019. Retrieved 28 December 2019.
134. ^ “Complaint against Arundhati Roy by SC lawyer over false information for NPR remarks; politicos slam activist”. Firstpost. 26 December 2019. Retrieved 28 December 2019.
135. ^ “Civil disobedience with a smile: Arundhati Roy on complaint filed against her NPR remark”. The Week. 27 December 2019. Retrieved 28 December 2019.
136. ^ “Full text: Arundhati Roy clarifies her NPR remarks even as she faces criminal complaint”. Scroll.in. 27 December 2019. Retrieved 28 December 2019.
137. ^ Barsamian, David (September 2001). “Arundhati Roy interviewed”. The South Asian. Archived from the original on 25 December 2007. Retrieved 21 January 2008.
138. ^ “Previous winners – 1997”. Booker Prize Foundation. Archived from the original on 27 January 2007. Retrieved 21 March 2007.
139. ^ Ellis, Hannah (5 November 2015). “Arundhati Roy returns award in protest against religious intolerance in India”. The Guardian. Archived from the original on 6 November 2015. Retrieved 5 November 2015.
140. ^ “2002 Lannan Cultural Freedom Prize awarded to Arundhati Roy”. Lannan Foundation. Archived from the original on 6 February 2007. Retrieved 21 March 2007.
141. ^ “Arundhati Roy gets Sydney Peace Prize” Archived 21 August 2013 at the Wayback Machine, Outlook, Retrieved 1 April 2012.
142. ^ “Peace?…” Archived 19 February 2015 at the Wayback Machine, Outlook, Retrieved 1 April 2012. Arundhati Roy
143. ^ “George Orwell Award”. ncte.org.
144. ^ “Sahitya Akademi Award: Arundhati Roy Rejects Honor”, Deccan Herald, 16 January 2006. Archived 21 August 2013 at the Wayback Machine.
145. ^ Van Gelder, Lawrence (17 January 2006). “Arts, Briefly | Award-Winning Novelist Rejects a Prize”. The New York Times. Retrieved 18 December 2011. Archived 6 March 2016 at the Wayback Machine.
146. ^ “From Norman Mailer to Arundhati Roy”. Hamish Hamilton. Retrieved 13 December 2015). Archived 22 December 2015 at the Wayback Machine.
147. ^ Mishra, Pankaj (23 April 2014). “Arundhati Roy: The World’s 100 Most Influential People”. Archived from the original on 14 September 2016.
148. ^ “St. Louis Literary Award | Arundhati Roy”. St. Louis University. Retrieved 13 October 2024.
149. ^ Rotermund, Maggie (29 April 2022). “Arundhati Roy Receives the 2022 St. Louis Literary Award”. Retrieved 13 October 2024.
150. ^ Ibitayo, Tobeya (22 April 2022). “A conversation with 2022 St. Louis Literary Award recipient Arundhati Roy”. St. Louis Magazine. Retrieved 13 October 2024.
151. ^ “2022 St. Louis Literary Award Winner Arundhati Roy”. Saint Louis University Library Associates. 4 May 2022. Retrieved 13 October 2024.
152. ^ Fenske, Sarah (28 April 2022). “For Arundhati Roy, the St. Louis Literary Award allowed her to see the river of her childhood dreams”. St. Louis Public Radio | To the Best of Our Knowledge. NPR. Retrieved 13 October 2024.
153. ^ Roy, Arundhati (14 September 2023). “Arundhati Roy: The dismantling of democracy in India will affect the whole world”. Scroll.in. Retrieved 14 September 2023.
154. ^ Creamer, Ella (27 June 2024). “Arundhati Roy wins PEN Pinter prize amid prosecution threat over Kashmir comments”. The Guardian. Retrieved 13 October 2024.
155. ^ “Arundhati Roy awarded PEN Pinter Prize 2024”. English PEN. 27 June 2024. Archived from the original on 27 June 2024.
156. ^ Syed, Armani (27 June 2024). “Arundhati Roy Wins PEN Pinter Prize Amid Indian Prosecution Threat”. Time. Retrieved 29 June 2024.
157. ^ “Arundhati Roy and Toomaj Salehi win the 2024 ‘Disturbing the Peace’ Award for a Courageous Writer at Risk”. Vaclav Havel Center. 15 August 2024. Archived from the original on 16 August 2024.
158. ^ Knight, Lucy (11 October 2024). “Imprisoned British-Egyptian activist named PEN writer of courage 2024”. The Guardian.
159. ^ “‘No Propaganda on Earth Can Hide the Wound That Is Palestine: Arundhati Roy’s PEN Pinter Prize Acceptance Speech”. The Wire. India. 11 October 2024. Retrieved 13 October 2024.
160. ^ “Alaa Abd el-Fattah named Writer of Courage 2024”. Faber. 11 October 2024. Retrieved 13 October 2024.
161. ^ Drezet, Jean (24 October 2015). “The dark underbelly of state capitalism in India”. The Lancet. 386 (10004): 1620. doi:10.1016/S0140-6736(15)00543-7. S2CID 54264685.